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Carvin BX500: Pt. 3

The Drive knob works fine for me - others here have experimented with different tubes and claimed to get a more useful drive tone but I have not felt the need to do so. As far as strength of bass, mids, and treble - all are driven quite well with my set-up and I do not feel the need to do much tone knob tweaking.
 
I'm also looking into one of these babies, based on one real question: does the drive knob do anything? and if so, is it pleasant? looking for some warmth, but not SVT grind.

Tom Lees gave a fairly detailed explanation of what the Drive control does in his technical review of the B1500 back in Invalid Link Removed.

Tom.
 
I dont mean to bash Carvin but unless you really need the okay compressor and the 2 ohm capability why would you take a chance with such a high failure rate?
I did own a BX500 for a short time but much prefered my shuttle 6.0 for sound and quality.
I have also owned 3 R1000 amps and 2 Pro Bass 500 and at some point in time most of them either failed or came up with a glitch that I had to stress on.
On the other hand I do own 3 DCM Slave amps and have only had 1 small issue with one (DCM2000L) and Carvin sent me a new one.
my .02
 
Saturday night was the second night of this gig. Another four hours and the amp worked perfectly. That is until the end of the night when we finished our last song. I shut the amp off and started to pack it up when someone came up and begged us to play one more song. We agreed and I turned my amp back on. This time it went into protect mode and made no sound! Turned it off and waited about 30 seconds and tried again. Same thing! So yesterday I got it in the house and fired it up. Works perfectly again. Not sure what happened. If it happens again I will be sending it in to have checked out.


My first unit did the same thing. You could run it for hours upon hours straight, but as soon as you turned it off, then back on again, it would protect until cooled. I spoke to an engineering person at carvin and stated that this is NOT normal, it should turn right back on. My guess is your amp was like this right out of the box, however this was the first time you had the "right" condtions..
 
the more I read, the more I think that Carvin rushed this into production and is now paying the price. I too work for a company that rushes products through the QA system for trade shows & other silly deadlines... Sad. This should be a really good product, but until they get their QA ducks in a row, I'd say thumbs down.
 
the more I read, the more I think that Carvin rushed this into production and is now paying the price. I too work for a company that rushes products through the QA system for trade shows & other silly deadlines... Sad. This should be a really good product, but until they get their QA ducks in a row, I'd say thumbs down.

+1. I didn't hear about this and checked it out, and the more I looked into it, the more I hear of these random shutoff issues. I wonder if the cost of pulling them off the market for a while is more than the cost of continually selling them until they run out. A few years I got excited when Frank Gambale got involved with their slimline 1U digitally controlled gtr preamp and called them direct from overseas, the chap who answered was to say the least, uninterested. That product didn't last too long in their line up. But perhaps that's the Carvin way, keep plugging new products and then discontinue them. God knows how many bass designs and headstock changes they have gone through - you'd think their market share and trading volume was like Ibanez or Yamaha to do that.
 
Carvin BX500 Noob Question of the day: How do these amps compare to other micro amps? I ask because the micro amps I've played (and the one I own) lack a good bit in the treble and mids department. Is this amp as powerful with mids and treble ranges as "normal sized" amp heads? I'm considering this or a Hartke Ha2500 to pair with my Acoustic B410. Which would be better overall?
 
Carvin BX500 Noob Question of the day: How do these amps compare to other micro amps? I ask because the micro amps I've played (and the one I own) lack a good bit in the treble and mids department. Is this amp as powerful with mids and treble ranges as "normal sized" amp heads? I'm considering this or a Hartke Ha2500 to pair with my Acoustic B410. Which would be better overall?

The general consensus here (and my experience too) is that if anything, set flat, these amps lack a little low end. Theree's a lot of tweakability to boost the bottom, though. That having been said, quite a few users here like it straight up.
 
I play Gospel and the BX500 been my main amp for show, The low end is sweet and the overall mids and treble is just right. I had my since Feb 09 without any problem and I don't carry a backup. I been using two Genz-benz NEO 112 with it and now that I got a SB5000 I been in heaven. Really a nice amp if you get a good one.
 
The general consensus here (and my experience too) is that if anything, set flat, these amps lack a little low end. Theree's a lot of tweakability to boost the bottom, though. That having been said, quite a few users here like it straight up.

I would say your cabinet of choice will dictate eq. I've played mine thru a variety of cabs. Some sounded perfect "straight up" flat. Some needed a little low boost, and some needed a little treble roll-off. With this amp, flat is FLAT! you are hearing your bass, and the cabinet.
 

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