That was the idea. This is a collaboration between them and Sekou. He drove the design, and they both (Sekou and Carvin) wanted something new and different.I was somewhat surprised when Carvin introduced the SB4000. Seemed like a huge departure from what they'd been doing for the last couple of decades.
But... (again, per above) "authentically vintage" was never what this bass was intended to be. Sekou wanted the sound to be very much like a 70's J, but he (and Carvin) wanted the looks to be unique.To me, the bass would look that much more "authentically vintage" if it sported clover leaf style tuning machines.
Just FYI/FWIW.