• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Changing Keys for Covers? When is too much?

I'm just wondering how much is too much to change a key when playing covers (to where the crowd will notice).

I've got a couple songs I'm learning and I can understand playing a step higher or lower. but how much would a song that is played originally in C# standard sound in standard E? I can tell a difference, but I'm not sure whether an audience might be able to.

Thoughts??
 
I personally, can rarely tell the difference when a song changes keys, unless it effects the logistics of how the song is played to suit the new key. So for me, as an audience member, cannot tell the difference unless i was JUST listening to the same song in a different key for a point of reference.
 
+1 on both replies above.

Usually it's our guitarist who can't drop the key because the chord fingerings don't sound right if he barres (for example, dropping an E song to D, where the open-D chord doesn't sound right.)

We'll occasionally transpose a song if our 60ish-year-old voices can't reach the high notes. Generally nobody notices a key change, but the audience will immediately know when the singer is straining to reach the high notes!
 
I can tell but sometimes it can be very cool to change the key and spin the cover your way. Most times it is a half or whole step and then its not such a big deal. Many national singers and bands play their songs live in a different key then it was recorded.

Especially as they get older and the singers voice is unable to do it in the original key.:woot:
Really that is what it's all about.
What key can the person singing pull off.
 
Especially as they get older and the singers voice is unable to do it in the original key.:woot:
Really that is what it's all about.
What key can the person singing pull off.

Funny just last night the old cats and me were playing Long tall Sally. The keys player was reaching in A so we took it to G. It sounded great and he still has his voice today.
 
It's too much if it forces the chordal instruments to use obviously different voicings for the chords (especially guitar), or if the vocalist is clearly at the top or bottom of their range.

I doubt most people in an audience would be bothered by a transposed song. Key changes that result in changed voicings and extreme vocal ranges would probably just not sound "right" to them, even if they didn't know why that was.
 
Hi,

To accommodate my vocal range I will sometimes lower the key a whole step or two, and sometimes by as much as a 4th. But you must keep in mind the timbre of the guitars and other stringed instruments, how they use open strings or a capo to keep the same sonic feel and playability to the song. Most of the time it works. The audience never notices.

Never more than a tritone above or below the original key.

Yes, an excellent rule to follow. ;)

Thank you for your indulgence,

BassCliff