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Double Bass Chinese kit basses?

I don’t do this sort of thing except by request, because I want to actually build instruments, not complete the assembly of someone else’s work.
That being said, even if you have to rework almost everything, you can hardly buy the materials to build a bass for the cost of buying all the parts to build one of those kits. So it isn’t much of a gamble, really, unless it turns out that the wood itself is unusable.

A customer once needed a better viola for his son, but had very little money. I had an old viola-shaped-object, Chinese in origin, with extremely thick plates to go along with the extremely thick hard finish.
I removed all the finish, and took off the top: the plates were so thick I was able to re-arch AND regraduate both plates, thin the ribs, and recarve the scroll, leaving a very nice large viola with a good voice.

Was it worth the effort? It was to that child. I was only out the labor, and it was much less labor than I expend in building from raw materials. But I still do not claim it as an instrument “I made.” I did NOT make it: I rebuilt it.
 
My (barely) $0.01
Back in 2009 a friend ordered an unfinished bass from an eBay seller. The bass arrived properly packaged. It featured a medium grained spruce top and richly flamed laminated ribs and back. The FB was of decent quality ebony. In order to minimize the shipping cost the seller sent the bass with the neck unglued. My friend brought the bass to me in order to glue the neck, which was already set and the button was properly constructed.
My friend bought and installed the tuning machines, a good endpin, varnished the instrument and strung it with Spiros mittel.
The arco sound was nasal and harsh but the pizzicatto sound was not so bad. My friend used it as a backup bass and after a couple of years sond it to one of my students. The bass returned to my working bench for a thorough set up and for whatever could improve the tone. I regraduated the thock top, shaped the bass bar, drssed properly the FB, installed a new soundpost and a carbon fiber endpin and changed the tailpiece with a Marvin wire tailpiece. The bass had been transformed to an altogether different instrument with an cello like and mellow arco sound and a floor shaking pizz sound. The regraduated spruce top performed impeccably and the new soundpost after some tweaking found the proper contact points. Till today this bass is the work horse of my former student.
In my opinion most of these basses are mediocre instruments who need a lot of work to develop their potential. But, from the other hand, they can give to any aspiring luthier a chance to study the double bass lutherie under the supervision of a seasoned professional. If there is such a chance they can be transformed to valuable instruments because they are decently constructed. Needless to say that in any other case the cost of all these interventions from a good luthier could make the total cost prohibitive.
Five years ago i had another one of these basses on my bench with the same results, albeit from another eBay retailer.
Any infos about these eBay shops are available to anyone via a PM.
I hope that i helped sharing my experience.
Mike