• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Double Bass Chord Name. Please confirm.

SMOGGY DAY.jpeg
I have a fairly good list but this one is not on it. I have seen the slash used as a Spanish number Seven. Check out the first chord and others. I've concluded that the 7 w/slash signifies Maj7. Variations in this book include ex: Bb-7(with slash) etc.
What say you?
btw. this book came from a friend in Spain.SMOGGY DAY.jpeg
 
Last edited:
View attachment 4726363 I have a fairly good list but this one is not on it. I have seen the slash used as a Spanish number Seven. Check out the first chord and others. I've concluded that the 7 w/slash signifies Maj7. Variations in this book include ex: Bb-7(with slash) etc.
What say you?
btw. this book came from a friend in Spain.View attachment 4726363

I haven't seen that specific nomenclature before but based on context, I think that you're right, that C(7 with a dash through it) means C Major 7. It would be very common for that first chord to me a Major chord, either C, C Major 7, C Major 6, C Major 69, or other similar chord. And that's not inconsistent with a Bb-7(with a dash) which could me a Minor chord with a Major 7th instead of a Minor 7th.
 
The slash through the seven is (at least in Europe) common for a handwritten seven to distinguish it from a handwritten one which can look almost the same if written fast or sloppy if there is no slash through the seven.

So, at least from an international point of view, a slash through the seven for a major seven is not a good idea.
I understand it from a space saving point of view, but in my opinion the confusion generated by this has more weight.

Anyway, since it is done, we should know it, so thanks for bringing this topic up here.
 
  • Like
Reactions: J_Bass
I haven't seen that specific nomenclature before but based on context, I think that you're right, that C(7 with a dash through it) means C Major 7. It would be very common for that first chord to me a Major chord, either C, C Major 7, C Major 6, C Major 69, or other similar chord. And that's not inconsistent with a Bb-7(with a dash) which could me a Minor chord with a Major 7th instead of a Minor 7th.

Right; it's the minorMajor, ascending melodic minor, or some know it as the jazz minor. A fun exercise: extract the modes from the BbmM7 scale, and then from each mode, stack its first, third, fifth and seventh voice (make seventh chords). Then, play these chords on the piano with the sustain pedal and simply listen...;)
 
… A fun exercise: extract the modes from the BbmM7 scale, …
Not a unique definition, even though one can assume you mean Bb melodic minor (ascending).
Other possible scales than Bb mMin I which fit to your chord definition:
Bb hMin I
Bb hMaj IV

Just a hint:
The classical way of using different notes for ascending and descending melodic minor also means a change of the scale from mMin I to aeolian (and probably back). Since in earlier centuries the chord was a triad or dominant seventh or the changing notes in ascending and descending was either not fixed by the definition in the chord for the changing notes or a change from dominant to tonic made an implicit change of the scale in the change of the function.
 
Not a unique definition, even though one can assume you mean Bb melodic minor (ascending).
Well, yes, plainly by my opening sentence: "Right; it's the minorMajor, ascending melodic minor, or some know it as the jazz minor." If you decide to do that exercise btw, these other tonalities will manifest (e.g., altered dominant, whole tone). The whole point that you seemed to have overlooked is simplification for an improvising player, which really was the main objective.