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Chromes - do the highs stay or go?

Chromes - do the highs stay after broken in?

  • They stay - you get thump with clarity

    Votes: 52 58.4%
  • They go - all you get is dull thud

    Votes: 18 20.2%
  • No freakin idea - carrots

    Votes: 19 21.3%

  • Total voters
    89
Only flats I'll play. I love bright, clanky strings. I play pro steels exclusively, unless I have a bass with too much treble (like a Mustang) and the Chromesleg me keep some of my preferred tone.

Pro Steels are very interesting strings but seems like they don't get much love on TB. Really like them on my 2017 AmProf Pbass.
 
Your poll doesn't have the correct answer, which is that (as others have said), they lose the zing over time but they retain more high end than many other flats.

This has been my experience over the last 14+ years of using them across 4 different basses.

Degree of brightness-loss is also related to the bass/pickups. I have them on two fretless basses. On one, the strings work for me for about 7 months. On the other, I can go a couple of years before they aren't bright enough.

I've never had that problem on fretted basses as I only change those to shift from flats to rounds and vice versa
 
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I have been using Chromes for years. My drummer plays hard and we play in several different configurations (sometimes a keyboard player, or harmonica player, or rhythm guitar or all with us, etc), so I want my JB-2 to cut through the mix. These strings do it for me and the tone goes well with the sounds the lead guitarist gets out of his Strat. As others have said, they lose their initial brightness like all strings do, but they seem to hold onto the brightness I am looking for and need in this particular band.
 
I have multiple basses wearing Chromes and every set has dulled considerably. You may want to give the Ernie Ball cobalt flats a spin. Ive had them on my Peavey T20 for a few years now and they have retained their highs much more than the Chromes.

I would concur w/'blacktocomm' - I'm currently using Fender, Chromes & EB cobalts...

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I've been using Chromes for years, mainly because they're always easy to find, and they work. They are not my favorite flatwound sound for all things, but ime they get pretty close for most things, and they retain plenty of highs, which works well in live situations especially well.
If anything, I wish there was more thump, but EQ can help with that.
They work well for recording, too.

I think my current set has been on for about 4 years.
Thanks, you beat me to those comments so I don't need to repeat them.

I usually have them on one of my basses. I like Labellas for exactly what you mentioned: I think Labellas have a tastier low end. But Chromes have a nice high end after breaking them in, and they retain it for a long time.
 
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