Perfect reply and first on deck.People say lots of things. Let your ears be the judge.
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Perfect reply and first on deck.People say lots of things. Let your ears be the judge.
Middle C is 512 Hz.I might not be expressing that well. If you have a synthesizer set to produce square wave output and you press the middle C key, it will produce a distinct square wave at 440 Hz. It's not arbitrary.
I might not be expressing that well. If you have a synthesizer set to produce square wave output and you press the middle C key, it will produce a distinct square wave at 440 Hz. It's not arbitrary.
Middle C is 512 Hz.
However, that key will also produce a sine @ 512Hz, or a sawtooth, or whatever other waveform you have your filters set up for.
Depends on what you call inferior. Consistent til digital distortion/clipping failure occurs...yeah, I'd call that inferior to a point. Massive clean power output...no, I'd say that's superior to a point. Oddly transparent tone output...ehh, that could go either way. Size and weight...no one could make that sound bad.Greetings Everyone,
I was watching a video the other day talking/explaining amp Classes. Pretty much all of the same with Class A, B and AB amps both tube and solid state. But one thing mentioned about Class D was something I had never heard before. The statement was that, and I am paraphrasing, Class D amps are digital and their output signal is also digital which makes for an inferior sound quality.
Is this true?
Doesn't Class D amps convert back to analog?
Or is the conversion where the sound quality fails?
I have a Fender Rumble 800 and never thought the sound was anything but very good.
This statement that I heard will not sway me from my amp as there are many benefits to it that like a lot.
I would like to hear from anyone and their thoughts, opinions or maybe technical knowledge on this topic
Thanks
You're right, I was thinking in the wrong octave.Hate to be pedantic 261.6256 would be middle -- ah never mind![]()
Class W/C (Wood / Coal) is a good alternative too..My class K and S amps (kerosene and steam respectively) still sound good... until they run out of fuel.
I played in a band that had 2 of those PV digital amps on a 4 way system. The PV's were on the high mid and horns. We thought they sounded OK until the horn amp went down and we replaced it with an old Phase Linear 400. The difference was night and day. The Phase was much cleaner. Todays modern Class D amps sound every bit as clean and full as the QSC-Plx's RMX's and older USA's I used before Class D came around.I remember those... they called the power amp "Digital Energy Conversion Amplifiers" .... heheh...
They were actually pretty good. I don't remember anyone really complaining about the sound. The speaker was decent and they had good clarity. But I think they were heavy as hell and I think the knobs used to come off very easily.
Yeah, bass amps require higher wattage and to have, say, a 500w Class-A amp is crazy.Nothing that develops any appreciable power output though.
Yeah, bass amps require higher wattage and to have, say, a 500w Class-A amp is crazy.
I dunno, I've heard many musicians that attempt to run their amps output full square wave into the speaker load.
I might not be expressing that well. If you have a synthesizer set to produce square wave output and you press the middle C key, it will produce a distinct square wave at 440 Hz. It's not arbitrary.