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Club Alleva Coppolo (Part V)

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I believe this is an artifact of the fact that the passive tone control is an option, but he still wants to provide the bypass control even if you don't order that. It's easy to get used to tho.

That makes allot of sense....

I couldn't imagine an active bass with a boost only preamp and no tone control.

BTW I have been an passive (bass) guy for a long time now, this is what an active bass should be like :hyper:
 
Ken - Where's the green bass?

I thought it was a little premature to post, since it won't get here until next Wednesday, but what the heck:D:bassist:

CIMG7006.jpg
 
I need opinions guys I have a buddy whos is a 63 yr old luthier who's is thinking of selling some of his personal collection of basses.

Understand, this as cream of the crop as it gets, the guy has bought and sold basses for 35 years. These are a few of his keeper jazzes

These are

All original

Great instruments

Healthy

Good charma I've know this guy for 15 years and he is a hell swell fella.Who has helped me personally and professionally.


So any way there a sunburst 63 jazz and Olympic white 66 that I have my eye on. If I liquidate everything I could get them.


I'd still try very hard to keep my sunburst alleva 4 banger.

This would be my one real shot at owning such instruments should I do it?


Couple of small pics for teasers.


63J.jpg


63Jbody.jpg


66olyJ.jpg
 
I need opinions guys I have a buddy a 63 yr old luithier who's is thinking of selling some of his personal collection of basses.

Understand this as cream of the crop as it gets the guys bought and sold basses for 35 years. So these are

All original

Great instruments

Healthy

Good charma I've know this guy for 15 years and he is a hell swell fella.Who has helped me personall and professionally.


So any way there a sunburst 63 jazz and olympic white 66 that I have my eye on. If I liquidate everything I could get them.


I's still try very hard to keep my sunburst alleva 4 banger.

This would be my one real shot at owning such intruments should I do it?


Couple of small pics for teasers.


63J.jpg


63Jbody.jpg


66olyJ.jpg

it depends, what do you think of those two instruments? ive played your white 4 string and thought it stacked up with my 62 j. if anything happened to it, that white 4 string would be my ideal replacement. i also played that sunburst 4 that tommixx picked up and didnt think it quite measured up.

those bound and dots 66's are something though. i one around 10 years ago and wish i had it back.
 
I honestly do expect that big of a step up as far as instruments.

I think my alleva 4 are so good there's not much room left up there.



Aj

+1... I have yet to play an old Fender that would make me think about swapping it for my Alleva, and I've played a LOT of old Fenders. If you were interested in the history and vibe, it might make sense. If you are gigging, not so much. Of course, if you could get them for a couple thousand each, that would be a different story!
 
In my opinion it really depends on what kind of deal he is willing to give you as you could always have Jimmy build you a few more but vintage all original Fenders are very special not only as players but obviously as collectible investments...That custom color 66 is sick!!!!!!!!
 
Heres my bass with larger resolution pics - although, I think you have to open each thumbnail to see these better. No idea why. I'm pretty sure cameras, microsoft picture manager and I are just not meant to be friends.
 

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Hey Andrew ... what's up?

Those are some great looking vintage pieces.
Never been a vintage fender guy ... just not my thing.
Funny, though, how jimmy's stuff has led me to that vibe in a 5 string.

I LOVE your white 4 string ... it's gotta be in the top 3 AC 4 strings ... EVER !!!
You've given me indigestion just thinking of how to get some dough together incase you decide to part with it. ... Thanks a lot.:)

As far as specs, the best LM that I've ever played was a white, ash, rosewood.
I think it was a NAMM bass this past year and may even be the bass owned by Bass7755. (although, i vaguely remember it being trans white)
I dug it so much because it reminded me of my friend Jerry Barnes' 4 string Pensa built by Mas Hino when he was at Rudy's in NYC.
That is a baaaaad bass and this one LM5 felt and sounded a lot like it.
At the time, I had my RA being built and couldn't justify buying it.

Now, I've been contemplating what I can make better use of ... a KBP5 or an Ash, Rosewood RA5. I haven't been a Pbass guy for years, but I already own 2 amazing Coppolo jazz 5's.(my limited 5 & LG5)
Gotta do something with the neck from my RA5 that was too light for me.
I'll keep ya posted.

Good Luck with your decision.
 
How about one of those shots from the lower bout so the knobs are more prominent! (like the shots of my AC fours) Aj

Hey AJ, I'll take some close up pic of the knobs as soon
as I can. Here is another pic.
Jason, yeah my LM-5 was at NAMM this year.
I'm glad you liked it...it's an awesome bass!! :smug:
Oh and here is clip Jerry Barnes playing my LM-5 at Jimmy's shop in NYC.http://www.youtube.com/watch?v=vS9mDpI34f8&feature=related
Dan


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