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Club Brimstone

Update on this, I've spent some time with the Basilisk and it's exactly as described, an XD-2 with a more distorted second channel. It sounds GREAT. I can set channel one to sound the same as the XD-2 (though the eq points are slightly different), but get a more present and gravelly distortion from the boost side. Very good pedal if you ever wished the XD's were a bit dirtier and nastier.
Would love to hear clips! Is the character of the distortion pretty much the same? I had the XD-2 for a bit, and while it opened the door for me to multi-band distortion, I was looking for something more gravelly, meaty, and defined. With my setup the XD-2's distortion was sort of like a mush sitting on top of my notes
 
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I love my XD-2, it's probably the only distortion/overdrive pedal I use in a 1-amp-setup. Normally I've got two amps.

However, I'd love to be able to make the low side a bit cleaner and the high a bit dirtier. I was hoping to solve this "issue" with updating to the Basilisk, but then I saw that it only has a different "high" circuit and even then only when the boost is on. But I think they're on the right track here.
 
However, I'd love to be able to make the low side a bit cleaner and the high a bit dirtier. I was hoping to solve this "issue" with updating to the Basilisk, but then I saw that it only has a different "high" circuit and even then only when the boost is on. But I think they're on the right track here.

Don't know if this is enough (or maybe you've tried it), but I run the high band at max gain and max boost, and always engage the boost. No boost on the low band. X Freq around 4 o'clock, Mix set around 8 o'clock.

I'd also suggest stacking another OD into the XD-2. This will help the high band get much dirtier, and if you use a Darkglass or other dirt pedal that affects mids/highs more than lows, then you won't affect the low band all that much.

If those solutions don't work, then get an Ouroboros (or other) as BrianVengeance suggested.
 
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Thank you for your suggestions, but with another pedal it becomes bigger and bigger and somehow less appealing. I have the [Invalid or Expired Link Removed] which lets you low pass the clean side and high pass the loop, I've had the X&M from sfxsound... While I like it, I don't see why not doing it right in the first place. The Ouroboros looks nice, but it's big and expensive.
 
The Ouroboros looks nice, but it's big and expensive.

Big and expensive are features. Helps establish dominance over lesser pedals. :D

Give @ampegfuzz's suggestion a try. I don't think I've ever been at a loss for output volume on this pedal. Start with the most important part, get it right, and then add in the rest.
 
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I may need to apply for a second number, because I'm now the proud owner of a Basilisk.

Initial thoughts compared to the XD2? They're a lot of the same, but voiced slightly differently. Comparable settings yield a slightly darker sound on the BL1, but the character is similar enough to really not warrant a side by side comparison. A few more seconds of knob twiddling and you'd end up at the same place between the two. The BL1 also seems to have a noticeably higher output level than XD2, but it doesn't make the knob touchy - 1/3 up on the XD2 is ~1/4 up on the BL1. Still plenty of room to get precise.

The second channel? Well, its a more saturated version of the first channel. Same gritty drive, just more of it.

Since there aren't a whole lot of audio or video examples available on the nets, I slapped together a quick and dirty set of comparison recordings with bypassed, channel 1 and channel 2 samples. Same settings between the ch1 and ch2 recordings, and all three roughly level matched.

Signal chain: G&L SB1 -> BL1 -> REDDI -> LIO8 -> LPX

No impulses, and wasn't aiming for perfection on the playing.



 
Hey, guys.
Is Brimstone Audio still on business or has it broken?
Thanks.

I emailed them last year and was told they were still at it but David (who posted for Brimstone here) wasn't answering the email any more. I don't know if that means he's left the company or changed responsibilities, but they did seem to still be going, albeit with even less online presence.
 
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Oh, sweet. :thumbsup: Once you've become familiar, please compare/contrast with the XD-2. Thanks!

So, after playing with both of them for a while - I like the Basilisk a bit better. The standard channel is pretty much identical sounding for both, but I find the Basilisk has a bit more gain (the master volume is set lower for the same output with the channels set identical). The boost channel is the real difference. The XD-2 body just is a higher gain version of the standard channel (pretty good sound), while the Basilisk has a lot more sustain and compression - it really does the cranked tube amp sustain thing (made me do the arm in the air while sustaining a whole note with a grin thing). For reference, I am going for Moving Picture type of bass tone.

The XD-2 is going on my medium board (Pedaltrain Classic Jr) for cover bands while the Basilisk is going on my big board setup for originals.

I use the same settings on both for passive jazz basses:
Low channel:
  • Thump to zero (off)
  • Filter to ten (off)
  • Gain and boost to five
High channel:
  • Mid to five
  • High to six (both pedals cut highs a bit when engaged)
  • Gain and boost to ten
Master section:
  • Crossover around three
  • Mix around three (a little higher than crossover)
  • Master around three for XD-2 and two for Basilisk
  • Boost trimmer in battery compartment set to match boost volume to standard channel
 
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Awesome. I already have a number of crossover/multiband distortions including the XD-2 so I won't run out and grab the Basilisk anytime soon (especially given that it's holiday time) but it'll definitely go on my wish list as I love cranked tube amp/Moving Pictures tones. Thanks so much for the thorough review!