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Club Sadowsky!!!

craigb43 said:
Just got done playing my 09 Sadowsky P Bass for the last 2 hours here at home. I love to get up early and practice , played to a bunch of great Cd,s but for the last hour just played along with John Mayers latest Cd with Sean Hurley on bass . He is a great player and the lines on that disk are great and fun to learn , simple and tasty . Love my Sad P bass , just saying.

Just curious: rounds or flats. I want a Sadowsky P or HPJ with one of each.
 
Just curious: rounds or flats. I want a Sadowsky P or HPJ with one of each.
I have Sadowsky blue label rounds on that bass , on my old 74 fender P bass I have the Sadowsky flats , they are super nice strings . I have not tried Rounds on the Sad P bass yet , i will at some point but I like having a P bass with rounds and that one just sounds great. There is a post I did on youtube with that bass and you can hear all the tones pretty well if you can listen with headphones , you can pull up Sadowsky nyc vintage p bass I think. The P they build is so versatile between passive and active, great bass.
 
Yeah, I think that fancy tops require an accent line. Maybe not if the top is something really dark, but I don't tend to go for really dark tops anyway.

Roger said earlier in this thread that certain tops require an accent line for structural support of the top.
Here's the quote:

On certain tops, we require an accent line for structural support of the top:

spalted maple and all burls (buckeye, maple, amboyna, redwood, etc)

On all other tops, it is an option.

Roger
 
Testing123 said:
Roger said earlier in this thread that certain tops require an accent line for structural support of the top.
Here's the quote:

Yes. There's no way a spalted top would hold together without the support of the accent layer. I wasn't referring to the stability aspect, I was referring to the aesthetics. Which I really should have clarified up front, I guess... [sheepish grin]
 
Okay Okay - So I've finally "joined the fold"

Waiting for this to arrive Thursday :hyper:
:cool:
 

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Thanks for your support Everybody!

I know I've been a "hold-out".

I've always been a "Fender Jazz Guy" and have 6 really sweet ones. I've only held a Sadowsky once in my life and
recognized the impeccable build quality but didn't fall in love with it at the time.

So this is a venture into unknown territory for me, based solely on the fabulous feedback Roger and his crew consistently gets here on TalkBass. I really admire their business model and appreciate their reputation for the best service anywhere.

I'll publish my review once I receive this baby.
I've got my fingers crossed!

:hyper::bassist::hyper: :cool:
 
I'll publish my review once I receive this baby.

I've got my fingers crossed!

:hyper::bassist::hyper: :cool:
Great looking bass! I don't think you need to cross your fingers, and I'm looking forward to reading your first gig report. In fact, it'd be interesting to hear your thoughts on the comparison between this bass and your current "go to" Fender J. The difference will be especially noticeable at a gig or at least playing along with a full track of music, and it won't be a better/worse thing... just different. But it'll be interesting to hear if you end up favoring Roger's take on the J sound over the original Fender J sound. I grew up with Fender J's and they've always been my "center", and even though I currently own one great J bass, I play it a LOT less than my Sadowsky.
 
I am developing some Candy Apple Red lust just lately and this is not helping! :D

GAS always loves company - so here's some "Red-love" for you to feast your eyes on.

Here's a pic of my current go-to Fender American Jazz Bass with EMG-X pups and a 3-way EMG Pre-amp. It looks almost identical to the Sadowsky I just bought. It's a great bass I named "Big Red".

My Sadowsky will be "Li'l Red"

I'm dying to hear and feel the differences between the two.
They're a huge difference in price, so I have high hopes.

Happy Lusting! ;)

:bassist::bassist::bassist:
 

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Thanks for your support Everybody!

I know I've been a "hold-out".

I've always been a "Fender Jazz Guy" and have 6 really sweet ones. I've only held a Sadowsky once in my life and
recognized the impeccable build quality but didn't fall in love with it at the time.

So this is a venture into unknown territory for me, based solely on the fabulous feedback Roger and his crew consistently gets here on TalkBass. I really admire their business model and appreciate their reputation for the best service anywhere.

I'll publish my review once I receive this baby.
I've got my fingers crossed!

:hyper::bassist::hyper: :cool:


We played @ a very big club friday night and the house soundman came up to me after the show and said you have hands down the best bass tone I have ever heard in all of my years of running sound. Then he started asking what kind of amp I was using and I handed him my Sadowsky and told him I think this is the source of what you are hearing.
 
We played @ a very big club friday night and the house soundman came up to me after the show and said you have hands down the best bass tone I have ever heard in all of my years of running sound. Then he started asking what kind of amp I was using and I handed him my Sadowsky and told him I think this is the source of what you are hearing.
Truth. :)
 
Hounddog said:
We played @ a very big club friday night and the house soundman came up to me after the show and said you have hands down the best bass tone I have ever heard in all of my years of running sound. Then he started asking what kind of amp I was using and I handed him my Sadowsky and told him I think this is the source of what you are hearing.

Yeah, its those blocks. Thats it. Yeah.