Flobots, The Fray, Devotchka... There has never been a more visible time for Denver music that I recall.
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Obviously it depends on style of music, but Larimer Lounge is pretty much ground zero for many styles.
i guess this isn't totally odd, but i switched between this window and my facebook and the event invite from lion's lair for your show was right there waiting for me. maybe it's a sign.Not sure if this is kosher in here, but my band (below) is playing the Lion's Lair this Friday and if any of you could make it, that would be super cool! It's a night full of punk rock & metal... Us, Denver County Death March, and Split Resistance! If it's not cool to post gigspam in here I'll delete the post.

But - people don't seem to want to go out and see live music in Denver as much as they do in the big music culture towns. Maybe it's because we've got an athletic and outdoorsy culture more than an artistic one.
Or, maybe more accurately, live music is a destination in Denver, not so much of a default hang option. The touring acts that hit the big venues do draw well - especially Red Rocks - but in my experience, unsigned original bands in Denver are COMPLETELY dependent on their own draw to fill up venues, as the inquisitive foot traffic is almost non-existant. I do not remember that to be the case in Austin.
Or maybe my band just sucks.![]()
i guess this isn't totally odd, but i switched between this window and my facebook and the event invite from lion's lair for your show was right there waiting for me. maybe it's a sign.
that is the truest thing i have ever read. among the small niche circles, a new band can gain notoriety fairly quickly and to a limited extent, but on the larger scale it's just a giant wall of apathy.Or, maybe more accurately, live music is a destination in Denver, not so much of a default hang option. The touring acts that hit the big venues do draw well - especially Red Rocks - but in my experience, unsigned original bands in Denver are COMPLETELY dependent on their own draw to fill up venues, as the inquisitive foot traffic is almost non-existant.
Have you ever noticed that the bands who get signed seem to come out of nowhere, and the great bands playing the scene for years never seem to quite get out of it. In other words, how many people do you know who were out seeing the Fray play in Boulder clubs back in the day?
In my opinion, Denver has a surprising number of good players in the scene and more places to play than I would have guessed before I arrived. If you happen to be a jazz guy, there are actually more places to play in Denver than in Austin, where I played in college.
But - people don't seem to want to go out and see live music in Denver as much as they do in the big music culture towns. Maybe it's because we've got an athletic and outdoorsy culture more than an artistic one.
Or, maybe more accurately, live music is a destination in Denver, not so much of a default hang option. The touring acts that hit the big venues do draw well - especially Red Rocks - but in my experience, unsigned original bands in Denver are COMPLETELY dependent on their own draw to fill up venues, as the inquisitive foot traffic is almost non-existant. I do not remember that to be the case in Austin.
Or maybe my band just sucks.![]()
But all that being said, now is a golden time for Colorado front range with a number of varied venues to play so long as you don't expect a rabid following.

Or much for pay.![]()
Having lived here and playing music here going on 40 years, the only conclusion I can come to is that Colorado lifestyles revolve around the outdoors and healthy, fit life choices. Music thrives in environments with more Waffle Houses and Dunkin Donuts than Starbucks and Whole Foods, more bowling allies than ski slopes and bike trails.
But all that being said, now is a golden time for Colorado front range with a number of varied venues to play so long as you don't expect a rabid following.
Have you ever noticed that the bands who get signed seem to come out of nowhere, and the great bands playing the scene for years never seem to quite get out of it. In other words, how many people do you know who were out seeing the Fray play in Boulder clubs back in the day?
I agree and also made this point. Actually, I've seen this pattern a lot, in a lot of markets. I think that the activities that result in good national coverage for a band and those that result in a solid local gigging schedule are entirely different, and success in one area doesn't result in success in the other - at all.I also think that a lot of the bands that got big made a super drastic switch from local to national. There was never this in between area of going to see the fray or one republic for $8 at the bluebird. It was like night and day, all of the sudden they were massive.
Opie just had something like 15,000 people attend their CD release at Red Rocks.
Fair point. Even Opie's website says "close to 10,000 people", though.Which is amazing considering Red Rocks holds 9,450 people!![]()