Both times my band has been on tour, we have played relatively big shows in Los Angeles. Both show, we have had the same guy as a sound guy/stage manager. His name is Oscar, he has been touring with bands since the 80s, as a sound tech/stage manager. When he's not on the road, he hires out his services around L.A. He is apparently a really well know, reputable guy for such things in the metal scene. From what I've seen, he really has his act together and knows what he's doing.
The last time we played in L.A. it was a big festival. The schedule was tight, load in/set up/tear down/load out had to be fast and smooth. We've got it down to a science, so that was no problem. Oscar comes over to my 70's Sunn rig and starts to hook it up direct, then stops and says "man, these things sound good enough on their own, i'll just mic it".
Having a guy who has worked with pro musicians all over the world for the last 25 years and has probably seen just about every brand of amp say that about my rig made me feel kinda awesome.
The last time we played in L.A. it was a big festival. The schedule was tight, load in/set up/tear down/load out had to be fast and smooth. We've got it down to a science, so that was no problem. Oscar comes over to my 70's Sunn rig and starts to hook it up direct, then stops and says "man, these things sound good enough on their own, i'll just mic it".
Having a guy who has worked with pro musicians all over the world for the last 25 years and has probably seen just about every brand of amp say that about my rig made me feel kinda awesome.

