370's are great, we have one at our space owned by our drummer, but it is hardly anything transparent.Thanks! I'm on the hunt for an Acoustic 370 head. I had a 150 that I had recently and it was amazing.
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370's are great, we have one at our space owned by our drummer, but it is hardly anything transparent.Thanks! I'm on the hunt for an Acoustic 370 head. I had a 150 that I had recently and it was amazing.
Pre-amp part of the heads is where you'll notice a difference.
Try some different stand-alone pre-amps into either the aux input or effects return of the Bugera.
Generally bypasses the preamp and the voicing. This is true for maybe 90% of amps with an effects loop.Always see folks talk about running their board into the return on an amp. My amp doesn’t have a send/return. What are the advantages and disadvantages of doing this? Does it just bypass the preamp or do something different?
Mine doesn’t either. It just means that you’ve got another preamp in your chain which will need to be accounted for with regards to eq, voicing, gain staging, and, depending on your amp, things like automatic compression/limiting kicking in, etc.Always see folks talk about running their board into the return on an amp. My amp doesn’t have a send/return. What are the advantages and disadvantages of doing this? Does it just bypass the preamp or do something different?
Generally bypasses the preamp and the voicing. This is true for maybe 90% of amps with an effects loop.
Usually the latter. It would be exceptional for an effects loop to be pre-eq, although I am sure examples exist.Would the EQ of the amp still be available or would it simply be like running into a power amp.
Thanks
Mine doesn’t either. It just means that you’ve got another preamp in your chain which will need to be accounted for with regards to eq, voicing, gain staging, and, depending on your amp, things like automatic compression/limiting kicking in, etc.
The impact will vary depending on the amp and the situation. If the amp’s preamp excessively scooped or boosted mids (for example) you may be fighting against your pedal board tone or boosting/cutting too much.
Generally not.Would the EQ of the amp still be available or would it simply be like running into a power amp.
Thanks
The aux input, I think, might serve the same purpose.As it is now with the board running straight into my D800, I get a great tone from my board and tweak the amp EQ to help with the room. I think gain staging is an issue for me.
It should on most amps.The aux input, I think, might serve the same purpose.
Thanks! I'm on the hunt for an Acoustic 370 head. I had a 150 that I had recently and it was amazing.
Why's that?So that would be an amp to avoid in this type of application.
Why's that?
370's are great, we have one at our space owned by our drummer, but it is hardly anything transparent.
I think you misunderstood the comments.The engineers say that amp has been voiced to NOT be transparent (the final amp stage).
So, if you use the effects loop "receive," going straight to the power amp, you will
have some colouring of the signal added to whatever you are feeding it with. That may
not necessarily be a bad thing. It's unknown. Might sound just fine. To me, it means
that you might have to EQ your "source" a bit differently to get the same tone that you
would if the amp was truly "transparent".
Thanks for clarifying this. That's more in-line with my (limited) experience.I think you misunderstood the comments.
it started with the question about using an external preamp in front of an amp, for this the voicing of an already heavily voiced amp is generally not a great option because of the likelihood that the voicings will conflict.
In the case of the Streamliner, the effects return input is pretty flat, the only processing in the path is the 3DPM circuit that manages the frequency dependent dynamics starting about 3dB before power amp clipping. The effects return is suitable for an alternate preamp input.
I bit the bullet, I found a Forte, not here for $800. Not a bad price and totally recoverable if I decide to sell it
Thanks everyone!
Si senor. It's almost like you know that amp a bit. ;-)I think you misunderstood the comments.
it started with the question about using an external preamp in front of an amp, for this the voicing of an already heavily voiced amp is generally not a great option because of the likelihood that the voicings will conflict.
In the case of the Streamliner, the effects return input is pretty flat, the only processing in the path is the 3DPM circuit that manages the frequency dependent dynamics starting about 3dB before power amp clipping. The effects return is suitable for an alternate preamp input.