I recently (Christmas) got a new Maestro 5 string MM COPY off tha bay as a spare/knockaround bass. I new I would need to do some work on it as it cost under $200 shipped. When it arrived it was in good shape, fretwork was way better than I thought (at worst I figured a re-fret) action and neck relief were pretty good, sound wasn't bad at all.
There was alot of buzz both when playing and not playing, touching the strings only helped slightly. So first thing I ordered was copper shielding kit and solder. I pulled the control plate which has 4 holes, 1 jack and 3 knob a lil bigger than 3/8" . The bass was wired in parallel with one coil of the humbucker wired to one pot, and the other coil wired to the next pot, then the first pot was wired in series in line with the next coils pot and the tone pot! wierd. any who upon taking things apart one volume pot actually kinda fell apart, it felt funny from the start. BTW none of the pots were marked at all. The CAP was ugly lil green guy.
I plan to replace ALL controls with nice Bourns ones and what follows is what I was thinking, I WOULD like opinons on if this will work well.
I would like to keep it passive.
I want to wire the pickup to a 250k push/pull volume, wired for series/parallel.
Next I want a extra firm 500k tone control, I would like instead of wiring a CAP onto that pot, have it tap into a 250k BALANCE pot that has a .022 cap on one throw and a .047 cap on the other throw.
I can blend between 2 cap values, AND how much bleeds thru that value. It takes up all three holes and gives me a lil more range of adjustability than say my P bass that has one tone knob with a .047 on it.
What do you guys think? any other ideas?
maybe a knob linked to a ToneStyler, or a LP type DPDT to select 2 diff cap values?
There was alot of buzz both when playing and not playing, touching the strings only helped slightly. So first thing I ordered was copper shielding kit and solder. I pulled the control plate which has 4 holes, 1 jack and 3 knob a lil bigger than 3/8" . The bass was wired in parallel with one coil of the humbucker wired to one pot, and the other coil wired to the next pot, then the first pot was wired in series in line with the next coils pot and the tone pot! wierd. any who upon taking things apart one volume pot actually kinda fell apart, it felt funny from the start. BTW none of the pots were marked at all. The CAP was ugly lil green guy.
I plan to replace ALL controls with nice Bourns ones and what follows is what I was thinking, I WOULD like opinons on if this will work well.
I would like to keep it passive.
I want to wire the pickup to a 250k push/pull volume, wired for series/parallel.
Next I want a extra firm 500k tone control, I would like instead of wiring a CAP onto that pot, have it tap into a 250k BALANCE pot that has a .022 cap on one throw and a .047 cap on the other throw.
I can blend between 2 cap values, AND how much bleeds thru that value. It takes up all three holes and gives me a lil more range of adjustability than say my P bass that has one tone knob with a .047 on it.
What do you guys think? any other ideas?
maybe a knob linked to a ToneStyler, or a LP type DPDT to select 2 diff cap values?
