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Compressor advice/recs

Parzival

Devil's son-in-law
Inactive
Jun 16, 2013
3,435
8,962
Alabama
I know this thread has been done, but asking specifically for what I feel my needs/wants are now. I know Ovnilab and Scuba's thread and have looked at them, but don't really know exactly if what I am looking at is right for me. Maybe you all can help.

I am fairly recent to using compression, last year or so. I have used fairly recently the Niche Humboldt and Lusithand Alma. These are both top notch devices and sound great, but not what I was looking for as far as compression.

I have figured out that I don't want a compressor that colors my sound. I like my tone as is and always felt better about my tone when I turned them off. Not that they sounded bad, I just liked my tone better without any extra coloring. I also learned I don't want an always on compressor. I'm sure I am getting a little light compression via my Sushibox Finally tube DI. I am fine without one on a majority of the songs our band does, but there are a few songs where it could come in handy, like funky songs where I am not really slapping, but hitting those strings really hard and it is harder to control my dynamics, or songs where I try to use a pick, which I tend to really have issues with dynamics because I am not a great pick player. As far as the pick goes, I am trying to get better with right hand muting while using the pick, but it is a learning process as I have never muted that way, I am unconventional and use my left hand while playing.

So, I am now thinking I need a compressor that is transparent and can do some light peak limiting and light evening. If it adds some good punch to the sound without coloring, I am down for that. Really don't want something complicated. Looking at the something like the Rothwell Love Squeeze is appealing.

I am looking at this from a live perspective. That is the bulk of my playing. I don't record and if I am playing at home it is for practice.

I am first trying out all my compressors in the HX One and ideally would like to find one in there that is useful so I don't have to make a space on my board and get a new pedal. Tired of trading pedals and everything on my board right now is great. I have so far tried out the Ampeg Optocomp model and did not like it at all. There are about 8 or 9 more in there, so fingers crossed, but I do hear a lot of folks say they don't like the compressors in the HX.

I will say, probably the compression that worked the best for me was the one knob compressor on the EHX Battalion. I would dial it in about 9-10 o'clock and it really made everything a lot more even, enhanced the sound, and didn't hinder my dynamics much at all. Sadly, it was the EQ on the Battalion that forced me to move on from it, it is a really nice pedal. If the EQ was better, that thing would be one of the best preamps around. I have heard the compression in the Battalion is based on the EHX Bass Preacher, but can't be for sure.

TIA for any and all suggestions.
 
I have just been through the same search. I ended up with a Boss BC-1x. I feel it’s very transparent. It might ad a bit of sparkling to the sound. I had a preconceived perception of Boss pedals, but I’m happy I’ve got pass that and tried that pedal. It’s fairly easy to find at music stores, you should try one out.
 
Light peak limiting, and light evening compression can be pretty difficult to discern when using a good quality piece of gear. And that's the challenge inherent with setting up compression schemes, since you really shouldn't "hear" the compression when it's doing light lifting, and if you CAN hear it, then it's likely doing far too much to the signal, leading to negative perceptions.

You might benefit by a unit like the Source Audio Atlas, running its dual compressors in serial: one to take off the spikes, and another to do the small amount of levelling. It is a digital unit, though, and it combines the hands-on of a 4 knob compressor with the depth of programming via computer editor (which helps immensely for setting up compression schemes). Programming custom schemes can be a drag, but the flexibility to get a virtually unlimited number of compression "types" in one unit can be appealing ( I own one ).

But if you're looking for the simplicity of analog, then maybe just get two pedals and run them in serial. This may run a little bit of money and might be a wild goose chase, but can be done for less than $300US....depending....which is about the cost of a good quality single comp pedal.

Check this thread...
https://www.talkbass.com/threads/multiple-compressors-good.1529782/#post-25629323
 
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If I don’t find something that works for me in the HX One, here are my thoughts on what I’ll consider:

EHX Bass Preacher
Wampler Ego
Rothwell Love Squeeze
Empress
Cali
Keeley Bassist
JAM Dyna-ssor?

Thoughts on these or others welcome.

I’m sure the Cali and Empress are awesome, but a bit spendy and lots of controls for a pedal that won’t be always on. Will save them for last if nothing else measures up.

The Love Squeeze looks like it really could be awfully close to what I’m looking for. The Bassist as well.

Any thoughts on the JAM Dyna-ssor? Can’t really find much at all on this pedal except for sale ads saying it’s a great pedal. Should that tell me what I need to know? ;)
 
I recommend the Keeley Bassist it was what I used to learn about compression simple and effective for less then my favorite Broughton Omnicomp it adds a little certain something but its not no where near what I'd call colored.

Also if they're still on blow sell Walrus Mira would be great pedal to try.
https://www.compressorpedalreviews.com/post/broughton-omnicomp-compressor-review
https://www.compressorpedalreviews.com/post/walrus-audio-mira-compressor-review

This one I haven't tried but seems very interesting
https://www.compressorpedalreviews.com/post/hagerman-compressor-review
 
I recommend the Keeley Bassist it was what I used to learn about compression simple and effective for less then my favorite Broughton Omnicomp it adds a little certain something but its not no where near what I'd call colored.

Also if they're still on blow sell Walrus Mira would be great pedal to try.
https://www.compressorpedalreviews.com/post/broughton-omnicomp-compressor-review
https://www.compressorpedalreviews.com/post/walrus-audio-mira-compressor-review

This one I haven't tried but seems very interesting
https://www.compressorpedalreviews.com/post/hagerman-compressor-review

Forgot about the Mira. Good rec at a great price point. That will move to the top of the list. Thanks for the reminder/heads up.
 
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For transparency, another vote for the Empress! Yet, IME, it can go into a territory of distortion if your bass' output is too hot and you do not want to turn it down. So, my experience has not been as smooth as other folks who rave about the Empress (but I ended up having a good sound out of it and I like it).

If I were you, I would go for some serial compression with UAFX 1176 and Teletronix LA-2A, with each unit compressing mildly at best. If you would like to solve everything in one box, I would opt for Markbass Compressore, preferably the initial release, despite its form factor (it is huge and also it is not pedalboard friendly). But I consider it as one of the best compressors out there...

Cali76, which I love dearly, has an embedded tone to it, so I will have to disagree with the posts that recommend that unit. But if you can live with some tone shaping, Cali76 CB is another of my favorites...
 
I also like the Battalion’s comp around 9 o’clock.

I also recommend the BOSS BC-1x, or the Seymour’s Duncan Studio Bass.

Both are super simple to use, dead quiet, well built, sound and work great.
 
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I would say the Keeley GC-2, Keeley Bassist, or the Boss BC-1X mentioned above are the most transparent with simple controls. The Walrus Mira is a little more "techy" but still simple enough. I think the original large format Empress is also a great choice and can be had fairly cheap since the MKII release. If you really just want a cheap compressor to play with while still being fairly transparent, the Joyo Avalon is a great bang for the buck.
 
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Rather than make any particular suggestion, I’m gonna say that it sounds like you’d be more interested in a VCA type compressor than any of the other types (optical, FET, Ross, etc). These are generally-speaking the fastest reacting and most transparent type of compressor. There are lots of these types out there… MXR, Broughton, Becos and many more companies all make comps of this type - there’s definitely no lack of options.

It’s for these very reasons that I’m personally not a fan but I’m someone who likes to hear a comp working.
 
I use a Boss Limiter Enhancer. With the enhancer turned off it is uncolored and smoothes out the spikes. It can also be set as a compressor for added sustain. The ENHANCER scoops things out and can create a descent slap tone with a p-bass. Behringer makes a knockoff that sounds and operates identically but is cheap plastic and probably won't take much abuse.
 
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