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In the 1990s when the EBMM Sterling was developed as the 4 string version of the SR5, the SR5 had Ceramic pickups. the sterling was available in either H,HH,HS and H piezo versions.
So what you are describing a is Sterling with a teardrop.
Debatable. It's trying to do that Jazz Bass / Mustang thing where merges with the metal control plate, but the upper 'horn' doesn't follow the actual contours of the instrument. To me, it looks like the metal bit is dangling off the 'egg' shape, so it's not creating a unified line for the eye to follow.
Plus, it's not so much about the SR5's pickguard, but also, the carved horns, which reduce weight and make it look a lot sleeker. Can't get that on a regular Stingray or Sterling unless you want to refinish it completely...
Another history lessonit's EBMM's Jazz Bass if the StingRay is their P.
A bit off topic, but I wonder how many more or less Stingray 5's would have sold over the years if they just looked like a 5-string version of the Stingray 4. The pickguard on a 5 is very off-putting to me. Maybe others feel the same?
Another history lesson:
That would be the caprice and the cutlass (foto's used from the Talkbass club)
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