- Jun 30, 2010
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- musician/artist/owner - Gildaxe
BTW on the relative usability of these, here's an isolation project recording I did recently. The bass track is doubled: upright bass (1957 King Mortone) and the Maton Ibis (played with highs rolled off and keeping the notes short to match the upright - but using a deeper tone than typical with the Bass VI/tic-tac style). It's fairly invisible even though both tracks are at about the same volume. Gives it a nice punch and presence IMO:
Also, posted earlier but this is a Bulgarian Orpheus solidbody violin bass on this (from a film soundtrack set in the Sixties - flats with a pick and keeping it simple to fit the era)
I like hearing Seasons Change again - but the other song won't play for me.