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Cool 60's basses (OTHER than main-stream brands)

Awesome! Hope it's great! Certainly looks promising.

Instead of starting a dedicated NBD thread for it - I've tagged-on to zombie thread to cover its progress. You can check it out here - GrassRoots Bass-IV

So far I'm very pleased with it - it just needs some refinement/fine tuning. :bassist:
 
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me playing my first bass in 1967 (a 1964 st. george):
45102758_2503833776308590_2533619659089903616_n.jpg


here's a pic of it now:
SGbass-1.JPG


a cool old Harmony bass that i wish that i never sold:
h22-9.jpg


Vox Cougar:
13-DSC06817-2.jpg


my groovy 1968 Ovation Typhoon (Hofner made the complete body and sent to the USA where Ovation made and installed the neck):
Typhoon-01-1000.jpg
 
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me playing my first bass in 1967 (a 1964 st. george):
View attachment 4586851

here's a pic of it now:
View attachment 4586852

a cool old Harmony bass that i wish that i never sold:
View attachment 4586853

Vox Cougar:
View attachment 4586854

my groovy 1968 Ovation Typhoon (Hofner made the complete body and sent to the USA where Ovation made and installed the neck):
View attachment 4586855

Thanks for posting John - I'm pretty sure my 1st bass was the same as yours, but if remember correctly it was badged "Stadium". Is your St George a long-scale? And oddly enough, my 2nd bass was a used Vox Cougar! And that Ovation/Hofner is super cool. Is it a long-scale or did Ovation make a ss neck special for it? I bet it sounds awesome! If I may ask, what's the back story on it?
 
Thanks for posting John - I'm pretty sure my 1st bass was the same as yours, but if remember correctly it was badged "Stadium". Is your St George a long-scale? And oddly enough, my 2nd bass was a used Vox Cougar! And that Ovation/Hofner is super cool. Is it a long-scale or did Ovation make a ss neck special for it? I bet it sounds awesome! If I may ask, what's the back story on it?
as far as the St. George, i also later had "Stadium" and "Andre" labeled ones that were the same exact bass so they obviously were sold with other brand names on them. It's funny because it has a neck plate but the neck is also glued into the body. I was kinda surprised that its tone is so good, especially for it being my first bass.

The Cougar was bitchen and i wish that i never sold it.

The Ovation/Hofner Typhoon is a short scale (30") and it definitely has the Hofner thump tone to it. it also plays great with low action. I bought it about 5 years ago online from a guy in Florida. I personally like its body shape much more than their later version of it.
 
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Instead of starting a dedicated NBD thread for it - I've tagged-on to zombie thread to cover its progress. You can check it out here - GrassRoots Bass-IV

So far I'm very pleased with it - it just needs some refinement/fine tuning. :bassist:

Those clips you posted with samples of the Bass IV were great. You've got me on the hunt for another 3 single coil bass. And it needs to be a black Burns Bison.

Anyone know how the RI compares with the original? I should probably get the original, but...
 
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as far as the St. George, i also later had "Stadium" and "Andre" labeled ones that were the same exact bass so they obviously were sold with other brand names on them. It's funny because it has a neck plate but the neck is also glued into the body. I was kinda surprised that its tone is so good, especially for it being my first bass.

The Cougar was bitchen and i wish that i never sold it.

The Ovation/Hofner Typhoon is a short scale (30") and it definitely has the Hofner thump tone to it. it also plays great with low action. I bought it about 5 years ago online from a guy in Florida. I personally like its body shape much more than their later version of it.

I don't have one picture of my 1st bass - but I'm pretty sure it was that one badged Stadium. Is it long or short scale?
 
Those clips you posted with samples of the Bass IV were great. You've got me on the hunt for another 3 single coil bass. And it needs to be a black Burns Bison.

Anyone know how the RI compares with the original? I should probably get the original, but...

I've never played either vintage or more current versions of the Bison but I imagine they'd be decent. A vintage one like my '63 Vista Sonic is pretty archaic. Unique, but more low-fi.

upload_2022-2-16_15-36-35.jpeg
 
long scale

I knew it! I was tall for my age and my best memory was that the bass was long/big. But being that most of the basses then from Japan were short scale, I wondered if my memory was correct. You've just confirmed that! :thumbsup: The Vox Cougar was ss - I do remember that! My third bass (also ss) was a new EB-3 (cause' of Jack Bruce doncha' know) and after that a '63 T-bird II. (one of the only two made in its first year)
 
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I knew it! I was tall for my age and my best memory was that the bass was long/big. But being that most of the basses then from Japan were short scale, I wondered if my memory was correct. You've just confirmed that! :thumbsup: The Vox Cougar was ss - I do remember that! My third bass was a ne EB-3 (cause' of Jack Bruce doncha' know) and after that a '63 T-bird II. (one of the only two made in its first year)

my dad took me to a pawn shop in downtown L.A. called Main Street Music and he bought it for me. It was $50 (used) and i couldn't be happier. at 13 years old in the 7th grade i was average in height (and still am) and that bass had super high action (it had a large front bow in the neck) but since it was my first bass and i didn't know any better, i just thought that that's the way that basses were, and it sounded good, even thru my tiny amp, so it didn't deter from to sticking with it. a year later at my jr high school (Monroe in Inglewood), a friend of mine had a St. George exactly like mine and when i played his, the neck on his was straight with low action and was much easier to play. i asked him if he wanted trade and he said "no way" so i started looking for another bass.

My second bass That was a short scale Electra violin bass,(bought it in 1968 at Hogan's House of Music in Hawthorne for $105) in transparent red exactly like this one:

pcm-violin-bass-1.jpg


in december of 1969 i bought my third (and first professional bass), a brand new Fender Precision (sunburst with a rosewood board/tort guard with a hardshell case at Westchester Music for $300 including tax and i was in heaven.
 
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my dad took me to a pawn shop in downtown L.A. called Main Street Music and he bought it for me. It was $50 (used) and i couldn't be happier. at 13 years old in the 7th grade i was average in height (and still am) and that bass had super high action (it had a large front bow in the neck) but since it was my first bass and i didn't know any better, i just thought that that's the way that basses were, and it sounded good, even thru my tiny amp, so it didn't deter from to sticking with it. a year later at my jr high school (Monroe in Inglewood), a friend of mine had a St. George exactly like mine and when i played his, the neck on his was straight with low action and was much easier to play. i asked him if he wanted trade and he said "no way" so i started looking for another bass.

My second bass That was a short scale Electra violin bass,(bought it in 1968 at Hogan's House of Music in Hawthorne for $105) in transparent red exactly like this one:

View attachment 4588211

in december of 1969 i bought my third (and first professional bass), a brand new Fender Precision (sunburst with a rosewood board/tort guard with a hardshell case at Westchester Music for $300 including tax and i was in heaven.

I bought mine in a Woolworths dept store in Omaha Nebraska in '66 (new) for $40. I paid for it with paper-route money. No case or gig-bag. My dad made me a HSC for it of thick plywood - it weighed a TON! I recall mine also having strings way high and like you I just thought that was the way it was supposed to be. How we ever stuck with it playing such! I was pretty clueless then and basically chose the bass over the Teisco guitars hanging on the wall around it because it was bigger and had only four strings! :D I guess I was destined to play bass!

That red violin bass is cool! :thumbsup:
 
Oh, if only we'd known about truss rods back then. I thought that however the instrument was adjusted coming from the factory was how it was supposed to be.

Yep - I think it's part of why those basses from Japan got such a bad rep. (and still do) Some weren't so good, but many just needed a proper set-up.
 
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