OK who of the TBer's are fans of Country music or fans of Nashville session players like Dave Pomeroy, Michael Rhodes, Glenn Worf, Larry Paxton, Jimmie Lee Sloas, etc?
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Jason Hale said:OK who of the TBer's are fans of Country music or fans of Nashville session players like Dave Pomeroy, Michael Rhodes, Glenn Worf, Larry Paxton, Jimmie Lee Sloas, etc?
Jason Hale said:OK who of the TBer's are fans of Country music or fans of Nashville session players like Dave Pomeroy, Michael Rhodes, Glenn Worf, Larry Paxton, Jimmie Lee Sloas, etc?
I'm working threw that book myself...I really like playing #5 and #13LarryM317 said:I like country.
I'm currently working thru Keith Rosiers "Lost Art Of Country Bass". Lost of info, great for new players like myself. I've sent an email or two to him, seens like a really nice guy.
The funny thing is that was the strength during Motown's glory days!JimmyM said:It all sounds so stale nowadays solely because of using the same guys over and over.

Yeah, well the first-call studio cats can make $250k to over $500k a year. That's because they're a known quantity to the producers, who take a huge risk on new projects. I'm sure they're crying all the way to the bank.JimmyM said:I love country music, but I hate the session players. Not through any fault of their own, though. They're great players who probably came to Nashville full of hopes and dreams to revolutionize country music. Then they get there and find out that they have to play meatball sessions where the idea is to get in and get out without calling attention to yourself. And for being able to do that, they are rewarded with 10% of the work available, along with 8 other guys who each get their own 10%, while the remaining 10% is fought over by road musicians who beg the producer to let them play one song.
You know, if they just let the road bands play on the albums, that would be a huge step toward improving today's country music. It all sounds so stale nowadays solely because of using the same guys over and over.

JimmyM said:You know, if they just let the road bands play on the albums, that would be a huge step toward improving today's country music. It all sounds so stale nowadays solely because of using the same guys over and over.