- Dec 12, 2007
- 2,268
- 43
- Disclosures
- Endorsing Artist: Zon Guitars, Tsunami Cables, DR Strings, GK
BG,
As for the slapping... well... um... let's see.. crap it's hard to make generalizations I guess. I didn't touch any tone controls between the finger style and slapping so really it's in your hands. Striking the string will bring out different characteristics depending on where and how you hit it.. ( cue FM
)
I do a lot of unconscious right hand muting so my popped notes ring longer sometimes, but I choke them off with my right hand ( another softball pitch for FM)
It's difficult to write anything more about because I'm giggling realizing how anything I say about how to slap it will be easy material for the lovely CWBs.
bottom line, it's in the hands because switching to finger style warms it up significantly. check out the strummed vs plucked chord with the Fodera in the beginning.
The amp is flat on the mid with a slight boost in the bass and treble. ( gives you that scooped funk sound) The basses were flat.
As for the slapping... well... um... let's see.. crap it's hard to make generalizations I guess. I didn't touch any tone controls between the finger style and slapping so really it's in your hands. Striking the string will bring out different characteristics depending on where and how you hit it.. ( cue FM
I do a lot of unconscious right hand muting so my popped notes ring longer sometimes, but I choke them off with my right hand ( another softball pitch for FM)
It's difficult to write anything more about because I'm giggling realizing how anything I say about how to slap it will be easy material for the lovely CWBs.
bottom line, it's in the hands because switching to finger style warms it up significantly. check out the strummed vs plucked chord with the Fodera in the beginning.
The amp is flat on the mid with a slight boost in the bass and treble. ( gives you that scooped funk sound) The basses were flat.
