Aha, I didn't know that. I have only seen BS with ceramic magnets. Some with one magnet, some with two, but always ceramic. Good to know! Good also that you can do custom orders.
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Also, while the field is a little wide over the poles, it's very easy to hear a drop out when you bend a string away from the pole. You can also measure this with a gauss meter. But you usually have some latitude for not getting the strings lined up directly over the poles.
I was able to wire the darkripper 2 wire pups in a jbass vvt with a series/par switch
Not sure if "Darkrippers" are the same/similar design as Darkstars, but...the problem with wiring these pickups in series without isolated ground wires is that DS pickups have the polepieces grounded through the metal plates on the back via the negative lead from the pickup, and in series wiring, the negative lead from one pickup is lifted from ground and becomes part of the "hot" circuit- this means that the polepieces on the non-grounded pickup will be part of the "hot" circuit when in series, and will buzz with a fury whenever your hands come near them or you touch them. I was able to easily change the wiring on my DS's to 3 wire when I wired mine with a series/parallel switch though- sounds amazing!
I really do not want to get way into all this again, I still agree with this as well and also still stands with my initial argument. I never said or implied that the steel pole pieces did not effect the tone. My point was they are not the primary element of the pickup they are only there to increase the sensitivity and direct it to the coil. By having the pole pieces so much higher than the coil this puts the coil much further from the strings making the pole pieces act like a remote microphone to the coil. So yes you would be getting more of a direct effect of the pole pieces and bends would causing fading in that case. When you lowered the pole pieces into the pickup you are now allowing the coil and steel to more evenly work together.First- I have to start by saying that these pickups look beautiful, Curtis- and if they are anything like the Darkstars I have loved, they will fill a unique void for bassists!
Not to fan the flames, but I have to agree with SGD on this point- and it is the most obvious to me on my duel-Darkstar equipped bass of all the basses and guitars I've ever owned (the closest comparison being the G&L L-series basses I've had which also had one polepiece per string per coil and a similar hot output). I originally had a pickup orientation and polepiece height with my DS's where bending notes higher on the neck would drop the volume dramatically. To counter this, I lowered the polepieces significantly and adjusted the string spacing to get the strings lined up as well as I could- now it requires a huge bend to get the same kind of volume fluctuation. Honestly though- having the polepieces as high as I did originally wasn't really suitable with these pickups to begin with, as they seem to have a much more even and pleasing dynamic response with the poles set lower. If your pickups are similar to the DS's, then it should be noted that they seem to work best with a larger than average clearance between the coil and the strings than most other pickups I've used.
First- I have to start by saying that these pickups look beautiful, Curtis- and if they are anything like the Darkstars I have loved, they will fill a unique void for bassists!
Not sure if "Darkrippers" are the same/similar design as Darkstars, but...the problem with wiring these pickups in series without isolated ground wires is that DS pickups have the polepieces grounded through the metal plates on the back via the negative lead from the pickup, and in series wiring, the negative lead from one pickup is lifted from ground and becomes part of the "hot" circuit- this means that the polepieces on the non-grounded pickup will be part of the "hot" circuit when in series, and will buzz with a fury whenever your hands come near them or you touch them. I was able to easily change the wiring on my DS's to 3 wire when I wired mine with a series/parallel switch though- sounds amazing!
I really do not want to get way into all this again, I still agree with this as well and also still stands with my initial argument. I never said or implied that the steel pole pieces did not effect the tone. My point was they are not the primary element of the pickup they are only there to increase the sensitivity and direct it to the coil. By having the pole pieces so much higher than the coil this puts the coil much further from the strings making the pole pieces act like a remote microphone to the coil. So yes you would be getting more of a direct effect of the pole pieces and bends would causing fading in that case. When you lowered the pole pieces into the pickup you are now allowing the coil and steel to more evenly work together.
If you made a small platform to set the entire pickup on to raise it closer to the strings you will get a much better result with out the extream fading on the bends.
If you made a small platform to set the entire pickup on to raise it closer to the strings you will get a much better result with out the extream fading on the bends.
I have a "theoretical question" about the pickup's construction. Do the adjustment screws and connecting plate become magnetized and create a secondary sensor point?
Would they then contribute to the magnetic field, as they become more magnetized?