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Dead spot on Fender MIA.
- Thread starter julo
- Start date
Both my Fenders have dead spots in the usual place 5th - 6th spot on the G string.
Have any of you guys with P-basses noticed problems on the E when you move up to the middle of the neck (6th-10th frets), the notes loose some bottom end or volume/overtones?
Have any of you guys with P-basses noticed problems on the E when you move up to the middle of the neck (6th-10th frets), the notes loose some bottom end or volume/overtones?
Wow, you just read my mind, I just clicked on this thread to report the same problem with my jazz, the e string on the 6 - 10 frets sounds muffled and slightly less loud than other notes, I did think it might be the pups but now I'm not so sure. On all my other basses this area would be very loud and punchy.
Unfortunately, that's not how it works. An $8K bass is just as susceptible to the dead spot phenomenon as is a $1K bass. No wooden neck/fingerboard is perfectly even in terms of resonance. What might strike one person as a dead spot might not bother another. If you want to avoid dead spots, you have to listen very carefully when trying out basses. I've owned two MIA Fenders and both had dead spots. Dead spots are pretty much just a fact of life when it comes to basses, and if your bass doesn't have any then consider yourself blessed!
I'm a little late coming in on this thread, but my '08' MIA Jazz V hasn't a single dead spot anywhere on the neck. I bought it from MF sight unseen and unplayed and maybe I got lucky, but this particular Jazz is superbly built, hands down perfect.
wow, I'm glad I'm not the only one that notices this. I was thinking about changing out the pickups but it doesn't make sense that the low and really high notes on that same string are fine and the middle ones sound weak. Plus, my J-bass doesn't have this problem. hmmm.. i'm stumped
Wow. I definitely have a dead spot on the G string's 7th fret. I play a 2006 MIA Jazz standard.
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Interesting I have a MIM Jazz on loan and it has the same issue. Not bad while I'm playing but noticeable when I play just that certain note.
The dead spots on the G string are the main reason I got into compressors. Just seemed like a fact of life, so I tried evening everything out through electronics.
Then I got really lucky with my current bass (Peavey Zodiac DE), the thing sings for days in that area. Probably has dead spots elsewhere, but not nearly as noticeable as the standard ones.
Then I got really lucky with my current bass (Peavey Zodiac DE), the thing sings for days in that area. Probably has dead spots elsewhere, but not nearly as noticeable as the standard ones.
My MIA doesn't seem to have any dead spots. If it does, they are not very noticable compared to my Squier. Word is the graphite rods are better and help this.
IMO, just because it's Fender and MIA doesn't mean it's immune to dead spots. But like one of the other posters said, it should be.
Either everyone in this thread is really lucky or some people are in denial. 
Personally, my main player (a 4 string bolt-on) has the usual one at D on the G string. I love this bass and I'll keep it forever, but that one note at that one position has me thinking about graphite necks. I know some have said notes can be played at different positions, but that D played on the D string doesn't sound anything like D on the G string. Sometimes I just NEED that note, in that place. It breaks my heart when I lead up to that high D with fat, sustaining tone only to resolve to what sounds like a ghosted note.
P.S. If you can't tell if you have dead spots and you already own the bass, don't check! You can't un-hear what you've already heard!
Personally, my main player (a 4 string bolt-on) has the usual one at D on the G string. I love this bass and I'll keep it forever, but that one note at that one position has me thinking about graphite necks. I know some have said notes can be played at different positions, but that D played on the D string doesn't sound anything like D on the G string. Sometimes I just NEED that note, in that place. It breaks my heart when I lead up to that high D with fat, sustaining tone only to resolve to what sounds like a ghosted note.
P.S. If you can't tell if you have dead spots and you already own the bass, don't check! You can't un-hear what you've already heard!
P.S. If you can't tell if you have dead spots and you already own the bass, don't check! You can't un-hear what you've already heard!
The man is correct.
