Sure, G&L could have done this.
Who knows? They may have done this and it just hasn't surfaced yet. One can only hope.
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Sure, G&L could have done this.
Sure, but for the life of me ill never get the prices that any used fender commands. Mad the same product for 70 years. I say this as a fender and g&l owner.I don't think so unfortunately. No one really cares about G&L that much. You can still get a mint condition 1980 G&L for like $1500 bucks, and they are already rare.
I like both. G&L is just more niche and not that exciting to the masses. Fender has the heritage, plain and simple.Sure, but for the life of me ill never get the prices that any used fender commands. Mad the same product for 70 years. I say this as a fender and g&l owner.
With a Peavey T-40. Fixed it for ya.I say... it was Col. Rickenbacker, in the Library, with a tire tool.
I believe that's called a strawman argument. Making one argument by shifting to something completely different. But anyways, how do you save an office in a building that is no longer in use? It's not like you can move an office.And this is exactly why these things happen. Its the same attitude as protected natural landscapes that hold aesthetic and cultural value to some but others think it aint worth a thing as it doesn't make money. therefore it's value is worthless.
But does Fender have a reason to put up a museum for an office used to develop a competitor's products? Seems like asking Fender to do this is strange.Moving an office would be easy.
If they could disassemble Francis Bacon's painting studio and reassemble it in a museum they could have easily moved Leo's office.
If they wanted to.
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Recreate Leo's office at the Fender location with all the contents found in his G&L office. That wouldn't have been too difficult and very inexpensive to do.You're just smelling realists. Fender didn't buy the G&L building or take over the G&L lease because they don't need it. Fender doesn't need another building. Doing so just to preserve an office no one visits doesn't make a lot of sense.
What do you think Fender was supposed to do here?
Nope. That's why I added "if they wanted to". I was just addressing the comments saying that an office couldn't be moved. An office is easily moved.But does Fender have a reason to put up a museum for an office used to develop a competitor's products? Seems like asking Fender to do this is strange.
No Fender didnt do that.Wait, Fender buys a company only to completely burn it down and absorb the IP? They've NEVER done that! Especially not with the amp brands!
I've been on the anti-Fender train for a while, but this just reinforces that.
and yet, Fender continues to dominate the market worldwide. Everyone who buys one must be wrong I guess.
I don't really get all the Fender hate on TB. I mean it's cool if you like something other than an actual Fender, but if you think about it, even the FSO options or the Leo spin off companies (G&L, Music Man) are really just building Fenders with some modest improvements or changes to the originals. If you prefer a Yamaha "Precision" (BB) instead of a Fender Precision, you should absolutely use one. If you favor a Dingwall Super J over a Fender Jazz, go for it. If your choice is a Sadowsky, Lull or Lakland, have at it. But why take a dump on the root of the tree from whence all of these came ? Does not make any sense to me.
And I'll repeat/amplify that G&L killed G&L. Other than competing with them, Fender did nothing in this situation, other than seek the G&L/Leo Fender IP that originated with Fender anyway once G&L mismanaged themselves into oblivion.
What assets are you referring to? There were no freakin' assets!Fender didn't buy G&L assets and then throw them away.
Sure, but for the life of me ill never get the prices that any used fender commands. Mad the same product for 70 years. I say this as a fender and g&l owner.