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DI Box Necessary For Amp Going To PA?

I have a small gig coming up with a less experienced sound guy, so I'm thinking about DI ing instead of micing to make things a little easier.
Is a DI box necessary between my amp and the PA? Or can the XLR cable go directly from the amp to the soundboard and it sound fine?
 
You're ok as is.

I don't know which amp you're using, but usually there's a pre/post EQ switch that gives you an option to select, depending on what your sound guy wants to do.

Some people prefer specific DI boxes, and carry their own. RedDi would be a nice example of that.
 
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Even if your amp has an XLR output, make sure it works, especially if you've never used it before. I'm not trying to say that I found out the hard way, but I found out the hard way.
in those situations, try the "plan B" or even "C" of getting a DI box and feeding it a 1/4" line signal from the amp's "preamp out" or "effects send", that should work just as well as the DI out.
 
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You're ok as is.

I don't know which amp you're using, but usually there's a pre/post EQ switch that gives you an option to select, depending on what your sound guy wants to do.

Some people prefer specific DI boxes, and carry their own. RedDi would be a nice example of that.
RedDi....... $700+ of pure sexy! I just saw one for the first time last week.... A huge red tube preamp with di that costs almost 2 truck notes? What's not to like? lol
Seriously, I'd love to be able to afford one. I'm sticking to my SansAmp for now.
 
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I'm thinking about DI ing instead of micing
DI'ing is easier than mic'ing.
Is a DI box necessary between my amp and the PA?
The purpose of a DI is to convert the high impedance signal coming right out of your bass to the balanced low impedance signal that sound boards need. If your amp has a balanced DI output (XLR), then it can already accomplish this.
 
You normally can get away with the XLR DI from your amp. I have however encountered a situation where a particular amp of mine seems noisy at a specific venue going that route, so we bypassed and used the house DI between my effects and amp. I always keep one in my gig bag just in case. A passive Livewire DI is just fine for @$30-35. I also carry a Sansamp BDDI, which works engaged or not.
 
Your sound guy (particularly if inexperienced) may prefer placing the DI between your bass and the amp. This gives him full control over your sound coming through the PA, and if you adjust the knobs on your amp to hear yourself better on stage, it won't mess up the overall mix that the audience hears.
 
Your sound guy (particularly if inexperienced) may prefer placing the DI between your bass and the amp. This gives him full control over your sound coming through the PA, and if you adjust the knobs on your amp to hear yourself better on stage, it won't mess up the overall mix that the audience hears.
Not sure why this method implies that the FOH guy is inexperienced ??? It's one approach, that has worked well for many years, even when DI's DIDN'T have tone shaping, overdrive, etc. and were simply DI's :)
 
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Not sure why this method implies that the FOH guy is inexperienced ??? It's one approach, that has worked well for many years, even when DI's DIDN'T have tone shaping, overdrive, etc. and were simply DI's :)

I agree with you 100%. All I meant was, the less experienced the sound tech, the more important it is to keep things simple and work within his comfort zone. Providing a good, usable DI signal is something specific we as bassists can do to make the sound guy's job easier. :)
 
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In my experience, soundmen prefer the simple Di box that just sends your bass guitar signal, only because some bass amp direct outs can be unpredictable, great example I had to use someone else's carvin amp a few years back, he didn't go direct out to the PA, but I wanted to and the direct out of the amp was noisey had some weird coloring thing happening, I got out my passive box and sent a clean single to the board the sound guy was all smiles and the show went great.
 
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I used to play a venue where the sound man always wanted to mic my cab, even tho I had an XLR out on the front of the head. I prefer the direct route because I can send it dry, so I'd always tell him that I had a buzzing issue with one of my speakers so he'd choose direct. If your amp has a pot for DI level out, a ground lift, and the ability to send it dry or eq'd I'd always choose to go directly right outta the amp. You don't need to buy an additional DI box my friend.
 
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Sound engineers are all over the place on this. A player needs to be prepared to work with any of the options. It's called being a team player.

Most modern bass amps have decent DI's built into them. That doesn't stop a given sound engineer from demanding that the bass send happens some other way. It all depends on the person and how much time they have to explore options. You should at least be familiar with what your amp has and how it performs. That will allow you to supply the sound engineer with information, whether or not they want it.

I'm doing mostly ampless gigs these days; and so, I've been doing a LOT of thinking about my send to the board. That's ALL I have. I'm currently using a Demeter VTDB, which has a Jensen transformer; but, I continue to look at other options.
 
You normally can get away with the XLR DI from your amp. I have however encountered a situation where a particular amp of mine seems noisy at a specific venue going that route, so we bypassed and used the house DI between my effects and amp. I always keep one in my gig bag just in case. A passive Livewire DI is just fine for @$30-35. I also carry a Sansamp BDDI, which works engaged or not.
Absolutely. I have carried one of these

Link Removed

In my briefcase for decades. Inexpensive, effective , easy to use and small. Don't leave home without it
 
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I dislike a dry lifeless sound, with an amp I like some compression and being right on the edge of OD so I've added a pedal that does all of that well to a good DI ... problem solved kinda. It's not like being in a good room plugged into my Sunn 200s but nothing is.
 
Sound engineers are all over the place on this. A player needs to be prepared to work with any of the options. It's called being a team player.

Most modern bass amps have decent DI's built into them. That doesn't stop a given sound engineer from demanding that the bass send happens some other way. It all depends on the person and how much time they have to explore options. You should at least be familiar with what your amp has and how it performs. That will allow you to supply the sound engineer with information, whether or not they want it.

I'm doing mostly ampless gigs these days; and so, I've been doing a LOT of thinking about my send to the board. That's ALL I have. I'm currently using a Demeter VTDB, which has a Jensen transformer; but, I continue to look at other options.


Old comment but this still applies in 2023! I'm using in ears now and I have bands in 2 different states, and different amps for home and away gigs, LOL. I just go direct from my Boss GT10-B EFX pedal via an XLR cable. and most FOH guys love it. I also EQ my patches to sound good through full range PA gear, not just what sounds good though a particular amp. A few test runs to dial it in and I now have a very consistent tone no matter what amp I use, if I'm even using one.