- Jun 25, 2006
- 3,226
- 341
- Disclosures
- Owner, Pike Amplification & 3Leaf Audio
I finally set up my practice space for recording and got some good sound clips of my effects.
The lineage was:
Jerzy Drozd 5-string -> pedals -> Sadowsky SA200 -> Berg HS210 -> AKG perception 420 mic -> Yamaha mixer -> Cubase
The mic was set about 2 feet from the cab and set on cardioid. I had the pickup blend on my bass set at center.
Dry Signal
Unaffected signal, nothing noteworthy here.
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Sansamp VT Bass
This thing just sounds so killer. As close as you can get to an SVT without having to lug the 80-pound beast around.
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Boss BF-2 Flanger
Best flanger EVER. Just nails that classic "for the love of money" sound. I've got the resonance set pretty low on the sound clip, but when set a little higher, the tone is spot-on.
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Analogman King of Tone
Overdrive/clean boost. It took 2 years to get but it was totally worth it. I have the drive set at 12 or below in the clips (I just use it for some coloration) but it's capable of more distortion. It does loose some low end if the drive is really cranked up though.
[Invalid or Expired Link Removed] drive at 10, tone at 12.
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New KoT clips
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I recorded some more King of Tone clips to show how much drive is possible. The red channel has more distortion available and retains the low end better. The yellow channel looses low end unless the drive is below 12, so I use it more for tone shaping. Pickup blend was all the way on the neck pickup for these clips. And in case you couldn't tell from the clips, I was listening to Death Cab today.
Groove Regulator with EHX Micro POG in loop
I picked up a Micro POG in a trade a few weeks ago, and I've been on the fence about keeping it. There's no denying the downright flawless tracking though!
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I also (finally!) put decent clips of the filter by itself up on my website.
Thoughts?
