I've been doing a semi-deep dive into that period, like John and Alan Lomax discovering lost folk music from around the world.
Go and stand in the corner.
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I've been doing a semi-deep dive into that period, like John and Alan Lomax discovering lost folk music from around the world.
If you listen to "We are the World" that event was hastily scheduled, and it fell on a "3rd night' for Bruce - his voice (what there was to begin with) was trashed for that, and it really shows.
My buddy was a guitar tech(in N.J.) for Ramones. One time, he saw Bruce and invited him to a Sunday BBQ and gave him his #.....Bruce called him up that Sunday and respectfully declined his invite.... I forget what his excuse was, but my buddy was like, " Bruce called and cannot make it, what a guy, to actually callHe was a living B side from the start.
Dirge songs.
Poor guitar player.
Poor vocalist.
As boring, as humanly possible.
More accurately termed a "local identity".
Like when you first heard it on the radio were you like "oh, there's another million dollar sellout synth-pop song for Bruce" or did you actually kinda like it?
Like when you first heard it on the radio were you like "oh, there's another million dollar sellout synth-pop song for Bruce" or did you actually kinda like it?
This and other pastel colored pap from this period in particular do make me cringe. Then and now
. I much preferred Fugazi and their vibe in the end.
Springsteen live in Europe. Lofgren's second solo, the whole thing just lifts off.
Often, songs written and recorded first tend to flesh out on the live dates. Like this one.
Do you know how hard it was to find a 'lyrics video' in Italian for Tunnel Dell' Amore?