I have only played it acoustically and with headphones so far, but my impression so far is that it's amazing, just like everything else on this bass. I'll have more to say about it once I play it with my band.How are you liking that Low F#?
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I have only played it acoustically and with headphones so far, but my impression so far is that it's amazing, just like everything else on this bass. I'll have more to say about it once I play it with my band.How are you liking that Low F#?
anyone here tried tuning a half step sharp, so the low B is a C? i have a possible project with keys where most of the tunes are in C, so i thought it might make for some easier fingering. wondering what issues this might create with the neck on my ABZ 5.

I tune down a half step, which makes it easy to play in C, (I get the open E flat, low B flat).
I started doing this five years ago to work with some blues guitarists, who like to tune down so they can use super heavy strings.
I ended up liking the looser feel and set up the Dingwalls for downtuning with Payson's fanned fret strings. Now standard tuned basses feel really tight and stiff for me.
It only took a slight adjustment on the the truss rod, and a slight tweak to the saddles and pickup height. All the hardware is excellent and easy to adjust. It's well worth messing with the set up to make things work with your personal style. I like a bit higher action, a little more room for the strings to move when I dig in, all of my Dingwalls arrived with super low setups. That's great if you have a light touch, but that's not me. Pick up height makes a big difference.
Maybe you could try it both ways and see what works better. The fEarfuls get right with the low B flat![]()
Awesome Z3! Looks like its in perfect shape!!!![]()
So I picked up this from another member last week.
So I picked up this from another member last week.
Looking forward to more time on the forums with others who understand/appreciate these basses as much as I do.
Cheers!
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