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Dingwall Owners Club

Took these today. I posted them in another non-Dingwall thread, but thought I should add them to the "thread of reference." There's not a lot of shots of Super Js on here.


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Chasarms....the Super J is so sweeet..... Oddio and 7string nice basses ! Sheldon is ahead of his time ;) I have other nice basses,but my Combustion is getting almost all my playing time.Top notch player,versatile,build quality & intonation perfect.Love both p/u's & best neck p/u Iv'e ever heard.Here is my Combustion with a another buddy.Could I get a # :D
 
Sheldon's bring my Ash/maple ABZ 6 with him on his trip to Vancouver...complete with Hipshot on the low B...can hardly wait....love those Fury/Dingwall pickups...got a recording session that night as well...wonder if this is the first ABZ 6?

:hyper::hyper::hyper::hyper::hyper::hyper::hyper:

Cheers,
Cameron
 
Hey fellow ding-aholics,

check what I recorded yesterday with my ABZ 5:



Oscar Stagnaro is peruvian and I feel really proud to use his book as I am peruvian too :)

What I like best about this bass is that the notes are clear and full. So far, I´ve been able to play lots of differents styles, I even use it in my jazz combo.

Cheers,
Iván
 
Tried a Combustion last week. First time I had a Dingwall in my hands...

First of, there is almost no adjusting needed to the fanned frets. Only higher than the 14th fret is it weird.

The tone of the Combustion didn't do it for me, but trying other basses in the store. I'm a passive kind of guy.

The B string was different then expected. Lots of people talk about a thunderous B string. This is not the case IMHO. It sounds like the other strings, very balanced. This is nice, but something to adjust to IME. On my own bass, the b string is thunderous! It sounds much fatter then the other strings, so you can not use it in any part of any song. This bass had also the imperfection that the B string was less loud then the other four strings. I think this is not normal on all combustions.

Dingwall owners, am I assuming right that on a Dingwall there is less difference between an F first fret E string and an F sixth fret B string then on a straight fretted bass? Or between a B second fret A string and a B seventh fret E string or ...
 
Tried a Combustion last week. First time I had a Dingwall in my hands...

First of, there is almost no adjusting needed to the fanned frets. Only higher than the 14th fret is it weird.

The tone of the Combustion didn't do it for me, but trying other basses in the store. I'm a passive kind of guy.

The B string was different then expected. Lots of people talk about a thunderous B string. This is not the case IMHO. It sounds like the other strings, very balanced. This is nice, but something to adjust to IME. On my own bass, the b string is thunderous! It sounds much fatter then the other strings, so you can not use it in any part of any song. This bass had also the imperfection that the B string was less loud then the other four strings. I think this is not normal on all combustions.

Dingwall owners, am I assuming right that on a Dingwall there is less difference between an F first fret E string and an F sixth fret B string then on a straight fretted bass? Or between a B second fret A string and a B seventh fret E string or ...
Correct.

About the thunderous low B - you are correct, it is foremost balanced with regard to other strings. Dingwall provides you with the most useful B around. When I first brought my Dingwall to practice, bandmates commented on how they can actually hear the notes I'm playing: and that is in a band with two heavily distorted guitars de-tuned to C standard. I wasn't louder or anything: the notes down below were just a lot richer.

If you want your B to shake the ground, there is a simple solution: boost bass on your pre or amp. That is how it is supposed to be, right? The thing is, it will still have clear pitch which other basses don't provide, AND the low E will be just as thunderous as the low B, so no imbalance even in that setting.
 
Hey fellow ding-aholics,

check what I recorded yesterday with my ABZ 5:



Oscar Stagnaro is peruvian and I feel really proud to use his book as I am peruvian too :)

What I like best about this bass is that the notes are clear and full. So far, I´ve been able to play lots of differents styles, I even use it in my jazz combo.

Cheers,
Iván


Iván congratulation, you nailed the tune and the sound. I am also loving my ABZ 5 and it has become my no.1 bass, everything else I own is for sale since the ABZ 5.
 
Some questions about the ABZ...

Do they have the FD-3A or FD-3 4L pickups. I know the Dingwall site says 4L, but it has pics where they are shown with what looks to me 3A's...
How do these pickup types differ in sound?
If they have in fact 4L's, how are they wired internally? Parallel or series?
What is meant in the specifications on the Dingwall website with straps pins: dunlop locking, pins only... do we have to buy the locks to attach to the strap ourselves?
Is there any customization possible for the ABZ? I have cool idea for wiring instead of the tone (which I would never use).
 
People expect longer string = Bigger tone. As you mentioned a bigger sounding B does not fit with the other 4 strings and is hard to fit into the song.

We are trying to make all the strings have a similar voice so that all notes are useable and easy to hear.

The weaker B can be either the bass end of the pickup needing to be raised slightly or unconsciously backing off on the attack when playing the B due to force of habit.

The ABZ features FD34L pickups wired series bridge and parallel neck. You can re-wire them yourself in either configuration. There are no custom wiring options available from the factory.

FD3A's sound warm, compressed and sweet. FD34L's sound punchy, aggressive with lots of lows and highs.
 
Sheldon, thanks for taking the time to personally address my questions and observations.

People expect longer string = Bigger tone. As you mentioned a bigger sounding B does not fit with the other 4 strings and is hard to fit into the song.

We are trying to make all the strings have a similar voice so that all notes are useable and easy to hear.

I've had Dingwall GAS a couple of years ago, but due to cost (young guy) put that thought in the back of my head. The DAS is back!

The weaker B can be either the bass end of the pickup needing to be raised slightly or unconsciously backing off on the attack when playing the B due to force of habit.

I'm sorry, but I don't think either is the case. The E-G strings were balanced perfectly. Raising the pickup on one side would make the E louder too, right, thus unbalancing... And it wasn't my attack because I noticed it immediately and tried pulling harder but it was weaker in output.

The ABZ features FD34L pickups wired series bridge and parallel neck. You can re-wire them yourself in either configuration. There are no custom wiring options available from the factory.

Do you think another rotary switch would make sense with the following options? (Series : s, Parallel : p, Neck : n, Bridge : b)

1 ns bs
2 ns bp
3 np bs
4 np bp

The two 4 way rotary controls would give 12 sounds in total. Would they be useful? Or would it be too subtle to notice in the mix?

FD3A's sound warm, compressed and sweet. FD34L's sound punchy, aggressive with lots of lows and highs.

Reading the specs the ABZ seems a little more geared towards a scooped sound, with the swamp ash body, the pickups... correct? So nickel strings would complement them best!?
 
Willem, a few posts behind i posted a link of myseld playing latin with my abz. You can check that, as well as some other videos from my youtube channel for a reference.

I used no EQ at all and i went straight to the pc on the video above.

Hope that helps,
Iván
 
Willem, a few posts behind i posted a link of myseld playing latin with my abz. You can check that, as well as some other videos from my youtube channel for a reference.

I used no EQ at all and i went straight to the pc on the video above.

Hope that helps,
Iván

Hey Iván
I saw the clip already (and again :bassist:). I really like it. What position was the rotary control? Could you make a short video comparing the 4 positions? (bridge, neck, series, parallel)
Thanks
ps you inspired me to get the latin bass book, very different from my regular playing, but cool is cool!
 
Today the Yellow DHL Truck stops in Front of my House and out of it came this amazing Bass.....

Just a few quick Shots.


So may I have a No. please...

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Sounds absolut sweet and mighty. The passive Electonics with the PU Selector with thr Toggle Switch is so flexible. Clear, warm and always punchy. A real great Bass.

The Craftmanship is really amazing. Absolute flawless and the Finish is Killer with a stunning Flamed Maple Top.

I love it.