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Dist for Metal?

Is Overdrive/Distortion Necessary for Metal Music?

  • Yes

    Votes: 14 9.5%
  • No

    Votes: 48 32.4%
  • Depends on the Situation/Vibe

    Votes: 86 58.1%

  • Total voters
    148
(I'm really going for the polls right now :D )

Just as I stated in the other poll I created not 10 mins ago, I've been listening to a lot of my metal albums, and have been really listening to the bass tones. One thing I've noticed is a severe lack of distortion in a lot of them. Even in my tweeking of the PDDI I recently got (f***in' love it!), I'm alway drawn back to the same "dark, morbid groan" (written out as "Death" ;) ). The same groan that a lot of my albums seem to have!

Now, don't get me wrong, I love od/dist. I even have one "preset" written out (called "War" ;) ) that is a mean low mid growl. But it just doesn't seem to have the same effect on me as "Death" (which is also the name of my bass btw, cus of it's natural, though "hollow", groan).

My question(s) to all of you: Is there a place in metal for bass distortion? Is it really needed? Do any of you use od/dist on a regular bassis in a metal context?
 
DarkHarted said:
My question(s) to all of you: Is there a place in metal for bass distortion? Is it really needed? Do any of you use od/dist on a regular bassis in a metal context?

Egads man.

Fear Factory, Ozzy, Sabbath, Metalica, Tool and this is just to name a few. I have 3 different distortion/OD's/Fuzzes on my pedalboard alone to cover it all.

Really. Think about it. :rollno:
 
"Depends on the Vibe" seems to be very popular :D :bassist: I may have to rethink things...

Right now I have the ParaDriver for some serious OD, and an English Muff'n for Fuzz. I am thinking of the Fulltone BD, maybe going for some regular (USA) muff action, and I'm really GASing for the MXR Blowtorch. Any other suggestions (including "toss [...] off your list")?

BTW, I love Dimmu, but only the earlier stuff. Not the "extreem keyboard" style they've become :rollno: :scowl: :bawl:
 
Ron Now said:
Cliff Burton.
Duh. I know he uses fuzz on "pulling teeth" but does he use it all the time? (haven't listend to metallica in a long time...)

Oh and the Tech 21 XXL Bass Ed. is now on the list just above the MXR (cus it's not out yet), and the Fulltone BD (just not sure...). The regular muff pi is on the bottom cus I already have the English Muff'n...

I may end up creating a really big board :eek:
 
He used it alot, another classic example is For Whom the Bell Tolls, hes also got some crazy stuff with that sound in Call of Kutulu.

Of course when using distortion effectivly you have to remember that its not only whether the song calls for it, but that you have the skill to pull it off properly as well.
 
MikeyFingers said:
I hate distorted bass. Anyone ever play Anesthesia CLEAN? It sounds so much better IMO.


But it doesn't sound RIGHT. I played it clean for years and I admit I got a little chill after playing it through my full distortion setup with the appropriate wah and all that fun stuff.

I should also note that, that song is the reason I can PLAY bass. As in I had owned a bass before hearing that song, but I never realized I could be awesome on it before that song.
 
Hao Rust Ride, supposed to sound like an overdriven Marshall plexi. I think it does a fine job, really good for that Lemmy tone.
I bought it because I was trying to emulate Troy Sanders and he used this boutique "blue beard" pedal and I found it after I was debating between the Rust Ride and something else, as soon as I found out it tried to emulate Marshalls I was there. The only draw back is it really only has one setting, you can kind of adjust the Q, but you have no control over blend... I suppose I should run it through my FX loop rather than direct.
 
I love that Meshuggah/Hypocrisy/Dismember/Grave(RIP)/Entombed(their older stuff) tone. Plus, if you really pay attention to the older Cliff Burton stuff, most of the songs have 2 bass tracks. One clean/one distorted. Orion is a great example. Plus, the very beginning of Damage Incorporated uses guitars and bass distorted with volume swells.
 
Of course, there are so many different kinds of metal, too. When I listen to "classic" metal such as Judas Priest, Dio, Iron Maiden, etc., I am always surprised by how clean and hi-fi the bass tone is! It really seems to work best to support and contrast with all of those power chords and screaming.