Here's an update, from another thread:
I've also been using SuperShield Nickel for years for most of my shielding in the basses I build. I had been buying the spray cans ($38 ea!), which are very convenient. But I'd had trouble with the cans' valves getting jammed, and the cans would lose pressure long before the paint was used up. Wasting expensive paint.
So recently, I bought a can of the liquid SuperShield Nickel, and worked out how to spray it through a spray gun, powered by a compressor. I dedicated an old cheap HVLP Touch-up size gun to use only for the SuperShield. It works pretty well.
A couple of things:
The SuperShield paint is heavily loaded with particles of nickel, and they only stay in suspension for a short time. You must stir the paint thoroughly right before use, and you can't let it sit in the gun for very long.
I store the paint in the can. When I'm ready to spray, I stir the contents of the whole can, and immediately use a small ladle to scoop about two tablespoons into the spray gun's cup. Spray right away, then immediately pour the excess back into the can. Put some Denatured Alcohol in the gun, spray it for 5 seconds to clean it, and put the gun in the rack.
This minimizes waste of the expensive paint. The can is 150ml and cost $53 on Amazon. My guess is that I'll be able to shield 75-100 instruments from that can. That's not too bad. The spray cans are $38 each, and I was getting 8-10 instruments per can.
For my production model Scroll Basses, I use a plywood masking template that plugs into reference holes in the body. For specials and one-offs, I use regular masking tape and paper. I normally spray two coats about ten minutes apart. The SuperShield is fully dry in an hour.