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Do aesthetics matter to you when it comes to amplification ?

The look of my gear is less important than the tone, however like many others I would probably be swayed towards buying gear that looks more asthetically pleasing than other brands.
I wonder how many more cabs Markbass would sell if they changed their colour scheme to something less hideous? Their gear gets just as good reviews as any other brand for the tone and quality, but if I were one of the Markbass marketing exec's, I'd be rethinking our colour scheme.
I mean let's face it, these amps are going to be stacked in a store right next to your Ampegs, GB's, Edens, GK's, Mesa's...............they just look shoddy and cheap next to their competitors even if internally this is not the case.
 
Do aesthetics matter to you when it comes to amplification ? As long as it isint too out there it dosent matter nearly as much to me as basses.

To me, aesthetics matters for everything. Not so much that I would choose a crappy-sounding rig that looks sharp, over a crappy-looking rig that sounds great. But if presented with two or more choices of amplification that are relatively comparable in terms of sound and features, I would take the cool-looking one every time.

I may have a little different philosophy about this than many people. But to me, this is part of the art: Appearances matter. Details matter. If one is striving to make an artistic statement, there's no room for haphazardness (unless that happens to be part of one's statement). Execute your vision with precision!

MM
 
The Bass matters because your wearing it, I really couldn't care less about the amps looks, seriously as long as its not too over the top where is gets rediculous I don't care, sound and volume is all that matters. I haven't seen one amp that i really wouldn't gig with because looks. yes I would happily gig with markbass stuff.


The crowd won't even know what amp your using in the first place, plus it just stands in the back.

Call me out, I don't even care about your opinions here I find it generally stupid and fairly prissy to actually care what the heck the amp looks like. May be your opinion but i don't mind calling it a stupid opinion. Flame away.



i mean there are some cool little things like Ashdown and trace with that glow in the dark light up stuff but that should never be a deciding factor.
 
I just think there is a huge aesthetic part to music. It doesn't really matter if you're just doing the cover band thing... but if you're doing original rock music... it matters.

If you show up to a venue, see mesa triple rectifiers and an SVT stack (yes, I will hand the iconic award to the SVT) you know that you are about to witness something intense. If you had the same two mesa triple rectifiers next to a "mini rig of doom"... It's just not going to wet the panties as much.
 
I dont know man. My mini rig of doom:smug: with 4 aggy gs112s and a genz benz gbe1200 does a number on the SVT.

I just think there is a huge aesthetic part to music. It doesn't really matter if you're just doing the cover band thing... but if you're doing original rock music... it matters.

If you show up to a venue, see mesa triple rectifiers and an SVT stack (yes, I will hand the iconic award to the SVT) you know that you are about to witness something intense. If you had the same two mesa triple rectifiers next to a "mini rig of doom"... It's just not going to wet the panties as much.
 
Dude, who cares, as long as it aint a pain in the arse to move about. It does look cool though when your amp impresses people i guess tho. i would love an SVT/810 rig, but until i can pay someone to move it, im not goin that big. i rock an NV610 and a markbass LMII and it looks tiny, but i also use my EHX english muffin as a preamp, so i've got room for a pedalboard on top of my cab, i get the back to the future delorean look goin. just need a flux capacitor on my bass haha. Or just DI into the board and bring random junk on stage, a la geddy lee.
 
As long as the amp sounds good, I wouldn't care. I mean, I guess I wouldn't really like a hot pink amp, but if it was the best sounding amp I'd ever played through, I'd still take it. Besides, I could have it repainted if it was THAT bad.