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Pretentious of what?Let's talk about singlecut basses. Do you think that they are suitable for a "main" bass, or does the fancy looks make it a little too pretentious to be used everywhere?
Two singlecuts on the market right now are the Ibanez SR Cerra and the BTB 686/685, pics attached.
Especially the BTB, with its big horn up to the 12th fret, would make me self-conscious to take it to a blues club, for example, even though I like the look. (The Cerras look even better, but they don't have a 6-string version.)
What do you think? Do they make the player look full of himself?
Indeed. In one sense, the Precision was essentially a solution to a problem that didn't exist – except in Leo's own mind.I agree that it would look out of context in certain settings, but hey, think about the first P-Bass players in the era of the upright. Change, it's a thing.
No one gives a damn.

Don't worry about that, most folks will think you play a guitar anyway.![]()
In Astrapto's defense, he does say he likes the look of single cut basses, so I don't think this was a way around the "ugly" bass rule. Glad to see this is basically resolved(in this thread, anyway, more or less.
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Your question seems legit and doesn't seem like a troll. I think someone else could've gone that route.
I don't think it's pretentious, just bad looking! A singlecut the size of, say, a Les Paul Triumph bass or ES Les Paul bass is awesome looking, but one that goes up to the twelfth fret is just not for me. Plus, it's impractical as above that point you can't get your thumb round the neck.
Cheeky slides count as money to me.There is no money above the 12th fret.
It's halfway through 2016 and folks are still asking this question?
I've taken the stage with some odd (for the genre of music) basses in my time. That occasionally got me a few snide chuckles and half-witty comments - until we started playing.
Nobody had anything to say about what I was playing after that.