Amps that power the cabs, i believe, is what does or doesn't have the headroom. IE: Having more wattage than you need
Some speakers have more ohms than I need.
Wait, what were we talking about?
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Amps that power the cabs, i believe, is what does or doesn't have the headroom. IE: Having more wattage than you need
I'm stuck on this: (example) a speaker that can handle 1,000 watts is being driven by a 100 watt amplifier. The speaker doesn't have headroom because there is no SYSTEM capacity to drive it to 1,000 watts. It's not headroom because it's not there. Conversely, if you are only utilizing 10 watts of the 100 watt amplifier that IS headroom because greater system capacity exists. Headroom is capacity that is present but not being used, not capacity you coud have if you had other equipment in the system.
Some speakers have more ohms than I need.
Wait, what were we talking about?![]()
Ohms are what you chant when you meditate before connecting your cab to an amp. You want to get the number of ohms right, the chant helps you remember. If all else fails, the guru usually places a label on both the amp and cab that tells you how many ohms are required to reach nirvana.
The space in your head, or headroom, has to be clean. Clutter leads to confusion and loss of headroom, you don't want to get the number of ohms wrong.
Of course, more complex chanting is required for more complex systems, often leading to a headache.
We did a theatrical segment on horses that was a spoof of another segment within MP& the Holy G, what a clever movie
Aren't those the pretty small, but really strong little fellas? If it's what I'm thinking of, they're common in the Philippines. Well, common as horses go. I rode one up the side of an active volcano, the smallest known in the world.Arabians
Aren't those the pretty small, but really strong little fellas? If it's what I'm thinking of, they're common in the Philippines. Well, common as horses go. I rode one up the side of an active volcano, the smallest known in the world.
Started out in the sports of cutting then team penning but for the last 20+ years I have been part of an equine theatrical entertainment group that does exhibition and entertainment shows (to music). In July, we are contracted for about 50 shows in 18 days, it's really no difference at all than touring rock & roll (which I did providing PA, off and on since the early 1980's). Within the group, there are a few of us who will do just about anything horseback, so we tend to do the more outrageous segments like jousting, or chariots, or pirate sword and gun fights, military tributes, and sometimes we just roll with it and put something together as needed, and since I have always trained horses, mine have learned how to learn and figure out what's needed to "get 'er done". They have all qualified through the law enforcement program as well, because they may be out in the middle of the public, on government property, so the qualification is part of doing it right.Oh, yeah Andy, you're a horse guy, right? My family raised, trained and showed Saddlebreds (saddleseat equitation, 5-gaited pleasure, pleasure driving, etc) and Arabians (English pleasure, western pleasure) until my sister, the star equestrian, was too old to compete. What's your horse thang again?
I figure I can go as far OT as I want in my own thread![]()
I have Friesians/Andalusians, plus a wild caught Mustang that I trained that will be part of the National Day of the Cowboy show and maybe a "Man from Snowy River" segment this year.
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I avoid public disasters at all cost, they seem to hurt worse than private disasters, right?Wild! I used to keep a Danish Oldenberg plus the foal I bred from her but I was a mediocre rider at best, didn't stop me competing and having numerous public disasters though10 years since I've ridden now though. Always fancied jousting or civil war re-enactment.
Being 1/4 dane, I like to remind people that we're pretty much all a little danish now, thanks to their ruthless vikings and piratesWild! I used to keep a Danish Oldenberg plus the foal I bred from her but I was a mediocre rider at best, didn't stop me competing and having numerous public disasters though10 years since I've ridden now though. Always fancied jousting or civil war re-enactment.
I avoid public disasters at all cost, they seem to hurt worse than private disasters, right?
Indeed, if you follow the evolution of horse breeds, you follow the victors in war all over the world.Being 1/4 dane, I like to remind people that we're pretty much all a little danish now, thanks to their ruthless vikings and pirates
I rode a lot when I was going to school at the Naval Air base near Memphis. Very nice riding horses and awesome trails. Ironically, since then I've only ridden in the Philippines. I never thought about if I was good or not. Never harmed any animals or myself, so at least not too bad I guess.
I avoid public disasters at all cost, they seem to hurt worse than private disasters, right?
Actually, my (late) riding coach, who was the world trick riding champion in 1951 and 1960 (?), always said that training, preparation and confidence were your best defense against disaster and injury.
As a young-un I got to see Arthur Godfrey with Goldie and Roy Rogers with Trigger do just that in person. Both were musical (the people, not the horses ... I think) and that nudged me in the direction of performing. I shoulda stayed with it more than I did.She could count, bow, whinny, kneel, sit, crouch, side-pass, rear, answer 'yes' or 'no' and a bunch of other stuff I can't remember. All with invisible cues.
The space in your head, or headroom, has to be clean. Clutter leads to confusion and loss of headroom