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Do you guys jump around while playing the bass?

Jump...Yes?No?

  • Yes!

    Votes: 73 49.0%
  • Urgh...No....

    Votes: 76 51.0%

  • Total voters
    149
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Jump around? Usually on the last song of the night, we'll do some energetic song, and I'll run out on the dance floor and jump around and spin in circles.

Why? Cuz it's fun and I like to end the show with ENERGY!!!! (our band is called NRG)

Can I play flawlessly while doing this? Hell no!! Can I sacrifice "flawless" for the last 20 seconds of a song, for the sheer fun and entertainment? Hell ya!!



:D
 
Originally posted by XavierG


So, you can relate huh? Hammer-ons take on a whole new meaning when you're bouncing around in agony, holding on to your crotch for dear life with your plucking/picking hand, all while trying not to miss a note and still appear to be in complete control. Try that while playing a samba - very strange image.

you know what? that mental picture came all to clearly for some reason. and it distrubed me.....
 
Yeah I do, depending on what i play. Sunday night church service I do, because the music is pretty energetic and if I don't jump around and use up some of that energy that's inside me, I will end up trying to use it all on the bass, and bass playing without restraint is not always good. I can't play really well and jump around at the same time, so i tend to only play simpler stuff if I feel like jumping around.

If i am playing something else, something more funky for instance, I will dance around a bit, but nothing too energetic.
 
Originally posted by JUSTBOUNCE


Here are some other tips that I use:

1) Practice with ankle weights. Let's face it, your bass is probably going to be, (assuming your cool), slung down to just about knee-level. While it's hard to simulate that without the bass on, (and EVERYONE knows you should first practice without your bass on, you wouldn't want to damage that expensive bass, right?), you can get a similar effect with the ankle weights. Don't get too heavy ones though, or else the first time you take them off you'll go right through the roof!!!

2) Proper back technique. Pay extra special attention to this. Since your bass will be at about calf level, (let's be honest, only dorks have it as high as their knees), you'll need to dramatically hunch over, unless you're built like a weak-kneed contortionist. Trust me, it's not easy to have your back hunched over, focus on slapping the shiznit out of your bass, and keep your hair out of your eyes.

3) Get a huge mirror. Look, let's just be frank, if you don't look good playing, you don't sound good playing. It's just as simple as that. If you can't see yourself doing this, how do you know you look cool enough. You could also videotape yourself.

4) Are you wearing heavy clothes? Doc Martens, other heavy boots. Chains, dog collars, metal, spikes, chainmail? Anything like this is going to weigh you down. Dress light. Dark colors, (which look cooler anyway), are lighter, everyone knows that. Wear lots of black.

5) How heavy is your bass? Speaking of heavy clothes, when your bass is slung down around your ankles, (I mean, c'mon, who wears it as high as their calves anymore? Dorks! That's who!), you don't want some heavy Fender or sumthin' down der. Represent.

6) Use transparent stickers. Don't, I repeat, DO NOT, use sparkly stickers. Picture this, you're playing your butt off, you're loud, in charge, slapping quicker and shaking more than Michael J. Fox having an orgasm during an 8.5 earthquake, your bass is slung down below your feet and up around your back, and your shiny stickers elude the fog machine, with the disco light, and catch your eye at the right angle. You're going down quicker than Monica Lewinsky with a high ankle sprain. Be very careful.

7) Play LOUD! I'm assuming you're using two 810s. You should be anyway. If you turn it to e-lev-en, then the stage will shake and rumble while you slap the crap out of your low B string, (please tell me you ARE playing a 5 string bass!), and the shaking will help you get lift.

8) Try practicing on a trampoline. This time-honored method is really going to test your focus at extreme heights.

Good luck. God speed.


Now THAT is about as complete an answer as you'll find here at TB. Make a note, guys and gals. Isn't Jazzbo handy to have around?

I have only one thing to add to this: Make sure your Tabs are affixed to your PERSON or your BASS while you're jumping, or disaster could ensue. Picture this - you're pistoning up and down like mad, but your Tabs are attached by a piece of duct tape to your mic stand or your wedge monitor...you think you'll still be able to see them? No way, Jose. This is why I like to have Tabs for the more difficult passages I'll be playing tattooed onto the underside of my left forarm. This way, they'll be moving up and down with me as I jump, and will appear stationary to my eyes since my eyes will be moving at the same speed. Looks great, and works like a charm.
 
i have been jumping around with my band for about 3 months...and i have it down pretty well...on songs where i have more complicated basslines...i will walk around...but on simpler, faster songs i am known to jump around...

bp13
 
Yes yes yes, we must all dress conservatively and remain perfectly still, in order to avoid any vulgar displays of showmanship. Wipe that smile off your face and get over the notion that music should be "fun"... it's serious business!

Seriously, though: it's typically a matter of doing what is expected and appropriate for the performance location and style of music. My number one band plays mostly Motown and blues. But we play in bars, not concert halls. Also, it's just four of us... we're not backing the Temptations or Marvin Gaye, we've gotta do the visuals ourselves (no, we don't do any choreographed dance steps, we usually have no room for that anyway).

Yes, our #1 focus is the music, but the bottom line is that sometimes it isn't enough to just throw down the aural groove; visuals can and do make a huge difference as well. Our singer moves well and is an entertaining MC, and I try to do my part visually. I am not especially handsome or graceful or coordinated, but I try to dance and move around to the music as much as I can... if I have room I'll throw in a bounce or jump for emphasis. I always enjoy gigging, but I try to make that apparent to the crowd, even when the crowd isn't warmed up yet. And it isn't to call attention to myself, it's so that the crowd can see that the entire band is enthusiastic about our music. It's easy to feed off of a good crowd, but sometimes you have to get the crowd to feed off of you.
 
This seems to be a popular subject, I guess I have a slightly different take on it...
There was a time when I thought that if you didn't go off, you weren't taking the music seriously. I started out playing in hardcore bands where going completely insane was just expected. At the time, if I saw a band that was just standing there then I just thought they didn't believe in their music. It wasn't about performance, it was about enjoying the music together - the kids on the floor were just as much a part of what was going on as the band on the stage... To me, when I go off, it's not about "oh, look at me, I'm going crazy, I'm cool" it's just a natural reaction to the music. And I'm not on anything... Granted, there are parts where I have to slow down and concentrate more on my playing.
Anyway, I've grown up a little bit (a little) and I realize you don't have to jump around to be serious. Some people prefer to focus on playing as flawlessly as possible, which is cool. And some people just don't feel like jumping around. If rocking out or whatever isn't how you enjoy or react to music, then don't force it...
Just my .02...
 
Originally posted by Chris Fitzgerald



Now THAT is about as complete an answer as you'll find here at TB. Make a note, guys and gals. Isn't Jazzbo handy to have around?

I have only one thing to add to this: Make sure your Tabs are affixed to your PERSON or your BASS while you're jumping, or disaster could ensue. Picture this - you're pistoning up and down like mad, but your Tabs are attached by a piece of duct tape to your mic stand or your wedge monitor...you think you'll still be able to see them? No way, Jose. This is why I like to have Tabs for the more difficult passages I'll be playing tattooed onto the underside of my left forarm. This way, they'll be moving up and down with me as I jump, and will appear stationary to my eyes since my eyes will be moving at the same speed. Looks great, and works like a charm.

I'm dyin' over here. :D :D :D

SpazFlow's response was priceless and this just added that extra zip.. like Miracle Whip.
 
:) mmmmmmmmmmmm i cant really be assed with the jumping but ive worked out that standing and like playing the **** out ya bass - doing a few nifty moves on postiton on ya bass , its always a good laf to do ya down striking with ya pic down the thread of the string ( duno the real term) its good fun doing it with the guitarist show em the bassist can do the ****er too , i also backing sing so i have the stand/mic a few paces away so i get good headbanging space
you have to say that sometyms its the bands image that sells em too ,
 
Originally posted by Chris Fitzgerald


Yes. The secret is to practice your "jumping around" technique to the point where it's completely automatic, and worry about your bass playing later. You'd think it would be the other way around, but this is the truth. Why? Because once you've mastered your jumping technique, you can devote all of your energy to playing the bass without worrying about whether or not you look cool since you'll already know that you're kicking loads of visual @$$ and exuding oodles of confident stage presence.

I mean, think about it - what would be worse: Falling down on stage from a mistimed jump, or missing a note or two? When looked at from this perspective, it becomes obvious that proper jumping technique is paramount.

darn you skitzed fritzgerald, i had it all backwards, here you are telling me all this good advice about theory and such, and the whole time i was supposed to be learning my jumping techniques.....thanks alot man, thanks a whole lot.
 
Originally posted by PollyBass


I have seen them live. and when he does jump around to much..... guess what,,,, he sucks. he's a good player. but music doesnt have anything to do with you looking cool and jumping around like a dumb@$$. "LOOK AT ME! NOT THE SINGER! LOOK AT ME! NOT THE SINGER!"

total agreement here!!!
I dont think he one of the greatest! IMO Timmy C of RaTM, is better! Is technique is more immaculate, and he doesnt jump around too much taking the attention off of the front-man! i do know they broke up, but i got the vids, so i'm making an example!
 
Guilty. I'm a jumper. But not in a pogo stick sense. More like a emphasize a cool punch style.

In other words, when you jump during a song, timing is EVERYTHING!

For example, I always try to land on the beat, be it 1 2 3 4 5 whatever. Does it always happen? Not always. Most of the time. And when I nail it, it's quite cool. But those times when I'm way off, like on the way up when I'm supposed to hit on the 1 (late takeoff!), it's quite lame. The good thing is I can do it w/o missing a note. It's just funny to be in the air when you're wanting to be on the ground.

I've tried to hit the apex of my jump on a 1 2 3 4, whatever, but have found that that's quite tougher than hitting the ground in time.

YMMV.

Jumping is cool. Just do it in moderation. Don't distract too much from the rest of the guys. Keep a balanced stage show. Remember Pearl Jam at the MTV awards a while ago? Jeff Ament running around the stage while the other dudes pretty much stayed nailed to their spots? Distracting. Don't be distracting.

:D
 
Originally posted by Chris Fitzgerald


Yes. The secret is to practice your "jumping around" technique to the point where it's completely automatic, and worry about your bass playing later. You'd think it would be the other way around, but this is the truth. Why? Because once you've mastered your jumping technique, you can devote all of your energy to playing the bass without worrying about whether or not you look cool since you'll already know that you're kicking loads of visual @$$ and exuding oodles of confident stage presence.

I mean, think about it - what would be worse: Falling down on stage from a mistimed jump, or missing a note or two? When looked at from this perspective, it becomes obvious that proper jumping technique is paramount.

I agree! At least this method works for me.

Proper footwear is often overlooked also. I've found that high top tennis shoes offer the support thats needed for todays high energy music.

Pkr2
 
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