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Heck, the metros aren’t even that much more than whatever they are currently calling fender’s active MIA basses
This is also trueLets start at the beginning,
Strings, Pedals, Amp, Cabs, Room, Mix.
I think you can get most any sound from any bass!
So, all the commotion is about what jazz bass sounds more like a jazz bass, then?Correct.
This is a statement that is going to remain in the “Annales” of TalkBass and shall be recorded to be subsequently quoted when neededSo, all the commotion is about what jazz bass sounds more like a jazz bas, then.
Put the right pre amp into most anything , and it'll sound at least close to the desired something, given the format( here 70's(?)jazz bass) remains the same.
Interesting...
Goody!This is a statement that is going to remain in the “Annales” of TalkBass and shall be recorded to be subsequently quoted when needed![]()
I may agree to a certain extent ...There is a lot to unpackage here.
The video definitely sounds like a passive Fender jazz bass; no doubt about it. However, the OP makes the assertion that this tone is exactly like Tal's. I disagree with this. After hopping over to YouTube and watching some videos of her, including the infamous thin-shirt solo, I'd say she has more than one tone, and none of them sound like a typical passive Fender Jazz. Strike one.
Since the bass in the video is passive, and Tal's main bass has an active preamp, I'd have to go with the prevailing wisdom that a active pre amps or active pickups don't often sound like a passive. Beyond Tal's tone, an active pre will give you more tonal options than a passive IMO, so if you want those options, a passive can't do it. Strike two.
Then the OP makes the assertion that the difference between a Fender and Sadowsky is purely based on the tone of two similar basses. Even though Sadowsky is one of many better-Fender builders that tend to stick to the yawn inducing body and paint styles that Fender has for the last 60 years, they can do more, and they feel different. A US made 5 string Fender jazz is very uncomfortable for me to play, but a Sadowsky Metro 5 isn't. They are building a more ergonomic bass than Fender. The OP is overlooking that some artists just don't want to work with Fender as a partner. Like Gibson, they have become too big for their britches, and aren't the most artist friendly company to work with. I've read articles where a bassist goes to a company like Lakland because they can get what they want and they can trust the road worthiness of the bass. Strike three.
No one needs any kind of bass. Just being able to play any instrument is a luxury. However, if one wants to play a Sadowsky instead of a Fender, there are concrete reasons to do so beyond the perceived narrative of brand snobbery.
Agreed. I've worked decades to develop what I consider "my" sound. I sound relatively the same from bass to bass. I use GK amps. I think most bass players gravitate to equipment that they feel "makes them sound good" and eventually develop their own sound. I don't think the bass makes Tal sound great, she makes the bass sound great. Her touch, finger plucking placement, combined with the tone she feels comfortable with-- she could probably get nearly identical from a stock MIA Fender.I'd add talent and emotional feel to complete the formula. The better the bass, the more pleasure derived from performing. I'll also add that we often overlook amps and cabs in the sound equation. Rig setups can greatly influence what the bass emits, IMO.
may put this under “bassists” but, aside from the bass player who’s really good, I’d like to focus on the bass tone..
Here we have a MIJ Fender sounding like a Sadowsky IMO (please don’t come up with the usual “the sound is in the fingers” sort of comments of stuff like that) or not?
Tal Wilkenfedish sound?
What do you think?
Bass solo part starts st about 04:40...
Opinions awaited ...
may put this under “bassists” but, aside from the bass player who’s really good, I’d like to focus on the bass tone..
Here we have a MIJ Fender sounding like a Sadowsky IMO (please don’t come up with the usual “the sound is in the fingers” sort of comments of stuff like that) or not?
Tal Wilkenfedish sound?
What do you think?
Bass solo part starts st about 04:40...
Opinions awaited ...