Things that are up come down, pretty consistently. People agreeing on what is warm or what is bright are pretty inconsistent. I haven't said I'm denying anything, I've said that your subjective understanding of tone is meaningless to anybody else. I don't think you've read a single thing I've written here, but here's the source of the snark I've mentioned. Lots of snark and loud opinion but zero facts or substantive points of view. If you're saying it's objective fact, then demonstrate it. The only demonstration so far is that nobody agrees on what tonal characteristics rosewood, maple, and ebony have - a bright sound clip gets confused for ebony when it's rosewood by everyone who claims to be able to tell a difference. Mike Tobias says ebony is warmer than maple due to maples hardness, yet ebony is a lot harder than maple and so is "warm" rosewood. Sadowsky uses terms like "sweet." Meaningless and useless to me.Don't bother, it's like dude needs an apple to fall on his head to believe that gravity exists.
My 32+ years experience is surely as valuable as yours - you demand my respect for yours, but where is yours for mine? I also can hear one bass is warm and another is bright. I also can't provide you with what harmonics make up those tonal characteristics. Where we differ is that I'm saying none to very little of those differences are attributable to the type of fretboard wood used. I'm just as right or as wrong as you, because those differences are meaningless to you - what matters to you is what you hear, not what I hear. Same here.
