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Does my band need a digital mixer?

lostinafog

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Mar 9, 2015
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I am in a 7 person celtic/punk band in the Santa Cruz, Ca area who sometimes ventures to San Jose and Carmel/Monterrey. About half of the places we play have some form of a PA, but usually lousy monitors. Currently we have a small 8-channel Yamaha amp/mixer, passable mains, and 3 self powered monitors. We use this gear in our practice space and when we play venues without a PA, such as weddings etc. Our channel needs are as follows: 3-4 Vocal Mics, 1 Acoustic guitar (has DI box), 1 Mandolin (no DI box), 1 Violin (no DI box), 1 Accordion mic, 1 Banjo/Mandolin (has DI splitter), and our Bass, Electric Guitar and Drums are stage volume.

Recently a friend of mine mentioned that his band picked up a QSC Touchmix-16 and they loved using it at one of the venues that we hate playing because of the horrible house PA. They used their monitors and just ran the L/R out into channels 1 and 2 on the venue PA and ran sound from the stage. This sparked me looking at the TM16 and the Behringer XR18. I love the idea of using having multiple monitor mixes that people can control from their smart phones as we;; as well as the ability to mix from the stage or anywhere in the room. The ability to record our practices/gigs to a external HD (TM16) or a DAW (XR18) is also intriguing to me, since it would allow us to actually work on new material and to evaluate live gigs. These mixers would also allow for adding Bass, Electric Guitar and 3-4 mics on the drums for recording or larger venues. Finally, the ability to load the settings from a room we've played before looks like it would take a good chunk out of our sound check, and the presets on the TM16 look like they would make it easy for our other members to learn how to do sound.

Here are the things that have me worried about the idea of a new mixer:
  • While we have powered monitors, we do not have powered mains and our only amplifier is the Yamaha mixer. This means that we either have to sell stuff off to buy powered mains or buy an amp. (we could MacGyver the Yamaha to work, but lugging two mixers to a gig is self defeating)
  • I am the person in the band who will be doing most of the mixing but I do not own an iPad, Android tablet, or laptop. This means that if I purchase the XR18, I will also need to pick up a tablet. (added price of $200+)
  • Currently our recording options are either buy a new external HD (TM16) or record in Garageband and export to Reaper/ProTools (XR18). I hate that both mixers cannot do both things (record to HD or record to DAW)!
  • In several local spots that we play multiple times a year we would be attempting to run the L/R to the venue's PA through their snake and control the mix from the stage, is this even viable? (we hate lugging extra gear to gigs if we can avoid it)
  • The feedback that I have read about the TM16's gain structure (although I like they way the mixer displays clipping) and the XR18 being made by Behringer just plain scare me.
  • TM16's wifi dongle being somewhat unreliable, but connecting up to 10 devices vs. XR18's wifi only handling 4 devices and probably being just as wonkey.
  • That I might go overboard with trying to assign effects to our Vocals, Violins, and acoustic instruments.
Any help, advice, wisdom, or cookies are appreciated.
 
I've been looking into the new Behringer digital XR series and can't wait to get one. While some people have some (warranted) concerns about Behringer gear their X32 has proven itself more than enough. I believe it is the biggest selling mixing desk in history and is being used in quite a few high-end venues and touring rigs. With the Behringer buyout of Midas they have a huge amount of high quality designs they now employ in lower cost equipment.

I'll be selling my powered Mackie Mixer and passive RCF FOH speakers as soon as I can get the XR16 here in Australia. A couple of decent powered speakers, an extra powered wedge and life will (should) be much easier.
 
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I use a QSC touch mix 16. Best piece of equipment I've ever bought, easy to set up and the presets sound great. I've only had to adjust the EQ on the kick mic preset slightly. Finding and EQing feedback is a breeze. Using your existing PA to power your mains is worth it until you save up for powered ones.
 
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Thanks for the responses, they are all helpful!
We skipped picking up a digital mixer for this year's high holy week (Saint Patrick's week) but with the feedback we had to deal with at our first two gigs there just might be a chance that people want to upgrade earlier rather than later.
 
...and thank you for the update! I'd like to keep the discussion going as I'm thinking about snagging a digital mixer, as well...and this is from a guy who was dragged kicking and screaming into the 21st century. Just recently got rid of my flip-phone so you get the idea. Here's kinda what I'm looking for:

*Under a grand.

*Full control at the console including touch-screen and/or knobs. The chances of us using an iPad or such for remote work is slim-to-none for the time being.

*Idiot-oriented auto-wizards, pre-sets, etc would be wonderful. I'm no good on my own.

Riis
 
I've had the dl1608 for a couple of years now and I'm very happy I did it. But, looking at what's available now in the price range, I might give the nod to QSC simply for the built in display. It's irritating that the mackie was built to house the ipad2 and then apple changed the size and connector. Yes, I know I can get an adapter. But I like the way qsc had done it so you can use it without buying an ipad and the built in wifi lets you connect with out an extra piece of gear.

I haven't looked hard but I think the mackie updates have provided some utility not yet available in the qsc so it does have some other things going for it. But I have SO enjoyed not carrying the big mixer rack and having scenes saved for different bands and venues.
 
A1608 and used iPad is doable under a grand and it's a rockin' setup. Super easy and the sound quality is great. I still prefer my presonus studio live rig for large shows but the Mackie is what I use with my personal band where I mix from stage. It is just the tater tots next to my burger!
 
I have used my DL1608 for at least 2 yers and it has been rock solid. I have stayed with software 2.22 as my older iphones run on it. I gave a serious look at the QSC when the DL went through the software update debacle but from what I read the QSC has serious wireless connectivity issues. Has that been fixed? My entire PA is made up of QSCK stuff so I'm not anti QSC.
 
our drummer got the xr18 a month ago. It's cool, but hard to learn and get used to. I have in ear monitors and the drummer just got in ear monitors too -- for IEM's having a wireless digital mixer is great. I can't recommend behringer EXCEPT for their mixers. I had a little eurorack for a few years; the other band I'm in uses a PMP6000 powered mixer and it's held up fine through about a hundred gigs over the past four years.

active speakers are nice but there's nothing wrong with digital mixer --> power amp ---> passive speakers.
I see power amps for sale very cheaply all the time now.
 
I did have one gig last year that I couldn't get my iPad to connect to the QSC touchmix, we do 4-8 gigs a month. Ive read others having the same problem. That only meant I had to walk back to the stage during sound check to adjust levels, instead of staying out front. I guess that's part of being a bass player/sound guy. I haven't had an issue since the software update in January. I will say the presets have been really helpful for EQing each instrument and the auxiliary outputs for in ears/monitors are easy to setup. I've gotten a lot of compliments on the overall sound since using the QSC touchmix. It's still the best piece of PA equipment I've bought.
 

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