Yup, 1846 Chanot. He bought it in the early '70's, he didn't say where or for what price, but he did tell me about having Heinl's in Toronto do a major resto on it. The top was pressed in a plaster cast to eliminate sinkage at the bottom of the bass bar, new bar, post patch, crack repair, etc, etc. It has the same ivory- handled tuning machines that Charlie Haden's bass has. (If I remember right, Haden's bass is also French- a Vuillaume?)Paul Warburton said:That fine French bass that Don has, was it a Chanot? It seems he had one of those cool stories about how he got it. You know... a strange happening that allowed him to buy it for some ridiculously low price.
Anyone remember?
Don's bass has unbelievable power and sustain. I'm sure his sound has a lot to do with his hands, too. As I mentioned at the top of this thread, I sat about eight feet in front of him for an evening recently, and was just totally blown away. As others have said, he deserves much wider recognition.
And yeah, Bourbon Street was the place to go in the '70s. All the heavyweights that came through Toronto played there, and there were a lot of great live recordings made there too. Don was one of the first guys I saw live when I started playing double bass.
Also, rumour has it that Ed Bickert may resurface and start playing again.