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Bruce Lindfield said:Have a look through the rest of the threads...
haha.. Yeah. That's quite a job, huh.
Search function. You could look up "duo Jim Hall Ron Carter" and within a couple threads, you'd find it. I'm pretty sure it was one of mine, too. If you want to be more specific, it's in the Recordings [DB] forum.MichaelSC said:haha.. Yeah. That's quite a job, huh.![]()
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CHOPS - Amazing recording! Also Jay Leonhardt duets one is very good.Freddels said:There's also other duos. Joe Pass and NHOP.
Well the first thing that comes to mind is not to play anything from the solo guitar repertoire. There may be some stuff out there written specifically for guitar (or lute) and cello (or viol da gamba) that could be adapted for DB and guitar (this is uninformed speculation on my part). But you may want to check out doing reductions of other works (I mean, some of what is repertoire for classical guitar already IS a reduction of another piece) so somebody's gonna have to do some arranging/re-orchestration.Can anyone offer tips on how to approach double bass playing in a duet with classical guitar? Typically, a classical guitar played solo is doing everything including the bassline. The latter is sparse, usually the root thumbed in rhythm. Most of the examples cited above are more "jazzy" and change the "classical feel" so I'm wondering how those of you who've done this have enhanced the music without stepping on the toes of the guitar or changing the mood.
Some other ideas, if your guitarist has a jazz background as well. There's the BACH FAKE BOOK, which has a bunch of compositions set up like a lead sheet - melody written out with chords above, there's another called CLASSICAL FAKEBOOK same deal...