All of my instruments used for CGCF tuning are set up for it and do not get tuned to anything else.
Plus, the setup is for the gauge.. Not the tuning. Whether you tune a .100 E string to E or D it will maintain intonation if it's properly set up.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
All of my instruments used for CGCF tuning are set up for it and do not get tuned to anything else.
Wow, you drop guys are kinda defensive. I still think it would screw with my sight reading if I tuned differently because my hand wouldn't automatically know where to go to outline say a Gm7b5 without looking and if I'm looking at my neck, I'm not looking at the chart.
If I had a gig playing tunes that called for a drop tuning, I'd probably set one of my basses up for it but the gigs that pay well around here don't so niether do I.
How I'm able to play in drop C and D standard and C standard is impossible according to you.
What advantage is there to using these three separate tunings compared to, say, having one bass tuned to D standard with a Hipshot to allow you to flip that low D to a C?

I'm not wrong about this. Not my fault that you would rather put the time into shortcuts than learning the correct way to do something. Show me you playing Giant Steps in your tuning.... Does my asking you to do that somehow obligate you to do it? Are you wrong about the whole topic if you do not? By your statments above, that is EXACTLY what your trying to pull here on me.
-eSmith.
I'm not wrong about this. Not my fault that you would rather put the time into shortcuts than learning the correct way to do something. Show me you playing Giant Steps in your tuning.... Does my asking you to do that somehow obligate you to do it? Are you wrong about the whole topic if you do not? By your statments above, that is EXACTLY what your trying to pull here on me.
-eSmith.
I actually play a 5'er detuned so I've got 'em all covered.![]()
And C std. is two steps down from D std., so just a drop tuner wouldn't exactly fly right here but I get what you're saying.
I lost you there. How does playing a detuned 5-string allow you to play all three of those tunings that you mentioned without retuning or switching basses?
Um, not it's not. It's one step down (two half steps) and a Hipshot will do that just fine.
My bass is set up to handle mainly drop C- that means I can play D std no problem (dropped C comes up to dropped D, just one step up, no biggie) as well as C std (my bass and strings can go an extra step down on the ADG strings and again, no issue). So that's how my detuned 5'er fits 'em all. Never said tuning wasn't required... 
I already know why people do it. I just know it isn't required. There are no songs that cannot be played in standard tuning. All that the guys doing this are accomplishing is to relocate the notes under each fret. This isn't a complicated concept.
Imagine a drummer stopping between songs to put the snare drum at his foot and his bass drum by his hands all to avoid having to learn how to play the Snare on 1 and 3 rather than 2 and 4.... That is essentially what you are doing.
Good luck with that......
-eSmith.
There are no songs that cannot be played in standard tuning.
To a lot of people, Sabbath does suck. It's pretty simplistic stuff, it is the bread and butter of every teenager that picks up an instrument. I have known PLENTY of guys that could play that stuff forward and backwards by 16 years old. None of them could improvise a walking line over a standard progression however.
I know this is going to upset some, but I also think Jack Daniels tastes like crap and Harley Davidsons are poorly designed junk that vibrate themselves into a pile of parts as you drive them.
That said, do whatever you like. Just stop pretending it's some new technique to dumb down your part in learning your instrument. Calling it "Efficency" is just living in denial.
-eSmith.
I already know why people do it. I just know it isn't required. There are no songs that cannot be played in standard tuning. All that the guys doing this are accomplishing is to relocate the notes under each fret. This isn't a complicated concept.
-eSmith.
I don't know where I said there was an advantage to just playing one bass for all those- I said that's the tunings we play. So I don't understand your question and how that correlates to how many basses I have on stage since I didn't say it.My bass is set up to handle mainly drop C- that means I can play D std no problem (dropped C comes up to dropped D, just one step up, no biggie) as well as C std (my bass and strings can go an extra step down on the ADG strings and again, no issue). So that's how my detuned 5'er fits 'em all. Never said tuning wasn't required...
And I meant C std. is 2 down from E, so how would just a Hipshot detune my B, A, D, G strings also?
Sorry Burl, until I see your recorded version of Giant Steps played in dropped tuning you are dead to me..... If I was a hudderite, I would call it shunning....... Come on, I've given you a simple thing to do......
Now stop trolling. You prove YOUR points, I'll prove MINE.
-eSmith.
Sorry Burl, until I see your recorded version of Giant Steps played in dropped tuning you are dead to me..... If I was a hudderite, I would call it shunning....... Come on, I've given you a simple thing to do......
Now stop trolling. You prove YOUR points, I'll prove MINE.
-eSmith.