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EBMM Stingray Classic or HH?

Hey guys, need a little help here. I may have to part with one of my Ernie Balls and can't decide? I have a beautiful SR HH in black cherry burst which is a beast of a bass. Recently I picked up the new Classic SR (white w/tort). I just need to know if there is a redundancy by having both classic and HH or is the 2-band eq really that different?
 
I own a pre-EB Stingray and have owned a single H 2 band EBMM Stingray and frankly they sounded different enough to justify owning both.
I ended up selling the EBMM one as I played the old pre-EB most of the time so based on my experience I'd say keep the Classic (similar spec and tone to the pre-EB rays) if you have to sell one but that's my own personal preference toward the 2 band tone and straightforward design.
 
The 2 band is really that different. It's amazing. You're getting 2 different sounds.

Thanks for the quick response. It really pains me because I just traded a 75 jazz vintage reissue MIA (and some other stuff :smug:) for it and find that the classic is better suited for me. I'm just real new to EB and am not as in tune with the sound as I am with Fender. For the last few months I've grabbed the HH over my trusty Fenders. I just am a sucker for the classic, the neck is buttery smooth and the rosewood is gorgeous.
 
You'll probably find strong feelings on both sides of the fence on this one. I own both 2 band and 3 band Stingrays and 4 string and 5 string versions and have played a number of H, HH and HS Stingrays. Here's my opinions FWIW:
If you want the old school preEB sound there's only one way to go - single H with 2 band preamp. You can get that in a used SUB bass with 4 or 5 srings for less money than a new or used Stingray will put you out.
If you want a more modern sound that is in the Stingray ballpark but has more flexibility and tone options - go with the HS 3 band.
If you want a Swiss Army knife of basses - go with a Big Al 5 sring or for less money pick up a used Bongo HH 5 string.

There is a huge difference between the MM 2 band and 3 band preamps in my opinion. My personal preference is the single H 2 band 5 string configuration (I just like 5's from a comfort standpoint, the 4 string sounds just as good). I find I can VERY quickly zero in on a specific tone with the 2 band preamp - usually I keep the bass knob on about 75% and the treb on about 25% and then bump the treb up or down as needed for room acoustics or song changes. With the 3 band preamps I find myself constantly hunting for the right tone and rarely finding it quickly. With the 2 band it's literally a 1 or 2 second fiddle with the tone knob, no problem with mid song or solo adjustments. With the 3 band, I wont touch the knobs unless I'm between sets and then it can take a minute or two to really zero in on a setting that will be perfect for the mix.
Oddly I do find the 3 band to be more mid focused than the 2 band. My 2 band Stingray preamps can go both lower and higher than my Stingray 3 band preamps. That's not the norm for my other basses (i.e. Fender, Warwick, Pedulla, etc.) on those basses 3 bands means broader spectrum, I just don't get that with my 3 band Stingrays.
 
If you have both, compare them.

I had an HH model and classic. Sold the HH.

+1
I sold my HH Stingray and kept the Classic.
Even with the two Humbuckers, 3eq and 5-way switch I could not dial in the signature 2eq tone that I love.
Also I found all the sound/tone options not very usefull playing with a band.
Nice mix of sounds, but most are not cutting through the mix (if that is your thing).
 
Go with the Classic. I love Music Man basses but on the HH configuration, I prefer them in either the Bongo or Reflex. With the Stingray, Stingray Classics and Sterlings, I prefer the more traditional Single H pickup configuration.
 
GBassNorth said:
You'll probably find strong feelings on both sides of the fence on this one. I own both 2 band and 3 band Stingrays and 4 string and 5 string versions and have played a number of H, HH and HS Stingrays. Here's my opinions FWIW:
If you want the old school preEB sound there's only one way to go - single H with 2 band preamp. You can get that in a used SUB bass with 4 or 5 srings for less money than a new or used Stingray will put you out.
If you want a more modern sound that is in the Stingray ballpark but has more flexibility and tone options - go with the HS 3 band.
If you want a Swiss Army knife of basses - go with a Big Al 5 sring or for less money pick up a used Bongo HH 5 string.

There is a huge difference between the MM 2 band and 3 band preamps in my opinion. My personal preference is the single H 2 band 5 string configuration (I just like 5's from a comfort standpoint, the 4 string sounds just as good). I find I can VERY quickly zero in on a specific tone with the 2 band preamp - usually I keep the bass knob on about 75% and the treb on about 25% and then bump the treb up or down as needed for room acoustics or song changes. With the 3 band preamps I find myself constantly hunting for the right tone and rarely finding it quickly. With the 2 band it's literally a 1 or 2 second fiddle with the tone knob, no problem with mid song or solo adjustments. With the 3 band, I wont touch the knobs unless I'm between sets and then it can take a minute or two to really zero in on a setting that will be perfect for the mix.
Oddly I do find the 3 band to be more mid focused than the 2 band. My 2 band Stingray preamps can go both lower and higher than my Stingray 3 band preamps. That's not the norm for my other basses (i.e. Fender, Warwick, Pedulla, etc.) on those basses 3 bands means broader spectrum, I just don't get that with my 3 band Stingrays.

You have no idea how much this post is going to help me in my current search for my first Ray. Props.
 
Hey guys, since you took the time to give me some good advice. I thought I should at least give an update. I kept both, let go of a fender J bass 24 and 75 J American vintage ( hard choice since I really loved the AM-Vin, but I'm ok with it). The HH is a beast and the sound I've been looking for, for a long time. I never found an active J to satisfy the sounfd in my head. The Classic is just buttery smooth.

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I agree MOSTLY with the above....but I should point out that I can still get the same tone I like out of each to a very large degree.

Totally agree. A 'Ray is a 'Ray. Yes, obviously different pickups alter the voice a little, but the joy of an active preamp is that you can sculpt away.

A common thought amongst the 'Rayders is that the 3 band can sound hrsh through the midrange (which I enjoy). String some flats or half rounds on there.

I currently own a HH reflex 5, but owned a ray for quite a few years, and I have to say that even these two quite different looking beasts still share a lot of the same sonic DNA.