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EBMM StingRay Special Club

Not exactly :) I'm not a slapper. But I would prefer 5H over 5HH because of:
1) series mode;
2) more streamlined and clean exterior;
3) less fiddling in stressful live situations :)
Agreed! We will have to divide this club into two separate ones now!!! :roflmao:

I have both, but I cannot get my HH to have the same “bite” that my H has. Not sure if that’s all in the different Fingerboard tone.
I also know that my H is a pound lighter than my HH. I prefer my H when playing out.

-ScottM
 
Not exactly :) I'm not a slapper. But I would prefer 5H over 5HH because of:
1) series mode;
2) more streamlined and clean exterior;
3) less fiddling in stressful live situations :)

Sorry for being a bit daft, but what do you mean by "Series Mode?"

The pickup is wired in parallel, right?

Capture-SRS.PNG
 
So much for the Stingray being a one trick pony.
Some people prefer more bite, some less fiddling with knobs and switches, some more slap room, some more pickup switching , some see this as being a more versatile bass.

Some say yay, some say nay. At the end of the day, it’s still a Ray!! That’s a winner in my book any day . To quote Forrest Gump..” That’s all I’ve got to say .”
:bassist:


Sorry folks , I’m operating on little sleep. It tends to make me somewhat silly.:smug:
 
I played both the 4H and 4HH and I like both a lot. The sounds I dialed in that I favored were almost all achieved with the 4H so when a good deal came up that is the one I got. I'm not saying I wouldn't also like a 4HH but really I have other bases to cover those sounds. It is nice to have an almost all in one but really how many of us do?
 
@lowdownthump, I definitely think the Special is much less of a one-trick pony than the previous Rays. My biggest gripe about the SR has always been its inherent and often untameable "zinginess." I feel the Special has conquered that problem (though not everybody sees it as a problem, I realize). I have the SRS4H, and even with the single pickup, there's a host of useable tones at one's fingertips, including a classic SR sound.
 
No bass is a one-trick pony. Yeah, that includes P-Basses and single-H StingRays. Only players are one-trick ponies.

I prefer the bridge StingRay pickup. I have non-Special 5HHs that I use almost exclusively in the bridge pickup selection only. So, when I got my Special, I dispensed with what I felt would be an unused pickup for me. YMMV.
 
They're referring to the 5H

OK, thanks! I didn't realize that the 4 and 5 have different controls. I have a 2002 Sterling and I realize now why people like series, that is my favorite position to use on my Sterling. It gives you a really nice, thick sound. Parallel kicks butt too.

I don't know why they didn't include the selector switch on the 4 H.... I would be miffed about that if I was considering one. I guess they are keeping in line with the Stingray tradition, but should have changed it for this model, IMO.
 
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@Stevorebob, you can say the old Rays aren't one-trick ponies, and I somewhat agree with you. But my understanding is that a major reason for the creation of the Special was a recognition that the old Rays *are* kind of a one-trick pony whose one trick is no longer of great value among musicians. Hence the revoicing of the pickups.