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EBMM StingRay Special Club

Just sticking my head in this thread. There's a lot happening in here, and I have to say you're all a bunch of true TB enablers. šŸ˜‚

I sold a 1995 StingRay 4H a couple years ago after having owned it since new. Why? Dead spots, horrible fret sprout, harsh preamp, unstable neck, but I missed the way it played. It just felt so right.

Today this arrived, just in time for a gig tonight and tomorrow night.
I'm happy to report none of the old issues are present on this joy of a bass. Seems like EBMM have upped their game in QA and design.

View attachment 7387580
Very happy day! šŸ˜
I had many of the same issues with my older StingRay basses. Hated the harshness, especially. EBMM fixed those problems with the Special.
 
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I had many of the same issues with my older StingRay basses. Hated the harshness, especially. EBMM fixed those problems with the Special.
Had the EBMM sterling 4H for a short while, the ceramic PUP and the 3-band is metallic edgey…

Could be useful for certain music genre but not suitable for my general usage, had to let it go.
 
Finally got an Amethyst. Second hand and was significantly cheaper than a new one so couldn't say no. Need to get rid of one now though.

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So as some of you may recall I had to send an Artic burst bass back as it had neck issues, I’ve received the replacement and this one has really sharp frets, unlike my other basses. So the decision is made that the Arctic burst bass is going back for the second time. Shame really as the colour is stunning.

I’ve got flats on one rosewood and nickel plated steels on the other so actually tonally different.

It’s also saved me a lot of money as I’ve sent back the most expensive bass by a good few hundred Ā£.
 
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A question for you StingRay Special lovers. What else do you have other than another StingRay Special variant, that you love and enjoy. In which situations do you reach for the others over your Specials?
These days I swap between my Am Pro II precision bass (with cobalt flats, antiquity 57 pickup, and gunstreet wiring) or my SS4HH with labella low tension flats. I used to have cobalt flats on the 4HH also, but they started to die and sound nasally. Both basses are great, sound funky and full. I typically use my 4HH with both pickups on full, position 3 on the switch. I have my SS5H that I got from Geri O also, but that sees playing time only in my experimental jam trio. My main band plays bluesy Motown stuff and that sees either the p bass or the SS4HH.
 
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A question for you StingRay Special lovers. What else do you have other than another StingRay Special variant, that you love and enjoy. In which situations do you reach for the others over your Specials?
I always had a Jazz-style bass and a Precision bass and the Stingray kinda fell in there as #2 or 3.

But for a month now, my new Stingray Special has been my main #1 player and I couldn’t be happier. I’m really enjoying playing it all the time.
 
A question for you StingRay Special lovers. What else do you have other than another StingRay Special variant, that you love and enjoy. In which situations do you reach for the others over your Specials?
The last 3-4 years I've mainly been a Thunderbird player. Reverse and non-reverse. I guess I've been lucky to have two that are very light, and balance with the headstock at my shoulder. My reverse has Lollar pups, and theyre very open and grindy. The non-reverse has one lollar at the neck (early life failure) but stock at the bridge.

I love that they're so punchy and can be clear and bright, or super wooly. The reverse has a skinny 1.5" nut, while the NR has more of a P-sized nut. I love them both. They are my number ones until my new Special kicks them aside.

Also have my '78 4001 I bought new as a kid learning. A couple of Am Std P basses, and a Schecter 12 string Stargazer.

I sold off a bunch of basses a couple years back. Among those was my mid-90s StingRay, Warwick NT4, a late 2000s StingRay 5HH, Adam Clayton purple sparkle Jazz bass. I forget some others, but these were the notable ones.

Update on the new SRS4H: It went from the FedEx truck to my bench for a setup and check. I bought online via GC. Nothing was done to it. Strings were loose, a ton of relief, acion comically high, intonation all over the place.

I sorted all that out, and it took my preferred setup nicely. Then it went into a gigbag and off to the gig. Well, two gigs as of last night.

I had a lot of great comments on the finish, and of course, the sound. It was a real beast within our classic rock, 3pc context. We play kinda loud, but not crazy loud. I could hear everything and the notes were round and fat when needed, with a glassy edge when I asked the treble knob for more. Definitely different in all sonic aspects from my prior SR4, in the best ways I hoped.

I'm really thrilled with how good this thing is. I was 50/50 when I placed the order that I'd return it. It's definitely a keeper now. šŸ˜
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The last 3-4 years I've mainly been a Thunderbird player. Reverse and non-reverse. I guess I've been lucky to have two that are very light, and balance with the headstock at my shoulder. My reverse has Lollar pups, and theyre very open and grindy. The non-reverse has one lollar at the neck (early life failure) but stock at the bridge.

I love that they're so punchy and can be clear and bright, or super wooly. The reverse has a skinny 1.5" nut, while the NR has more of a P-sized nut. I love them both. They are my number ones until my new Special kicks them aside.

Also have my '78 4001 I bought new as a kid learning. A couple of Am Std P basses, and a Schecter 12 string Stargazer.

I sold off a bunch of basses a couple years back. Among those was my mid-90s StingRay, Warwick NT4, a late 2000s StingRay 5HH, Adam Clayton purple sparkle Jazz bass. I forget some others, but these were the notable ones.

Update on the new SRS4H: It went from the FedEx truck to my bench for a setup and check. I bought online via GC. Nothing was done to it. Strings were loose, a ton of relief, acion comically high, intonation all over the place.

I sorted all that out, and it took my preferred setup nicely. Then it went into a gigbag and off to the gig. Well, two gigs as of last night.

I had a lot of great comments on the finish, and of course, the sound. It was a real beast within our classic rock, 3pc context. We play kinda loud, but not crazy loud. I could hear everything and the notes were round and fat when needed, with a glassy edge when I asked the treble knob for more. Definitely different in all sonic aspects from my prior SR4, in the best ways I hoped.

I'm really thrilled with how good this thing is. I was 50/50 when I placed the order that I'd return it. It's definitely a keeper now. šŸ˜
View attachment 7388504

I had a lot of great comments on the finish, and of course, the sound. It was a real beast within our classic rock, 3pc context.
Yep, this was my experience too (different music, but same reaction from musicians and audience)!

Congrats, that is a keeper.
 
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A question for you StingRay Special lovers. What else do you have other than another StingRay Special variant, that you love and enjoy. In which situations do you reach for the others over your Specials?
I have a too-big collection consisting of multiples of what I consider the old-school staples: Precision, Jazz, Rickenbacker, StingRay and Hofner basses. I also have Sadowsky PJ and JJ basses.
My main band is a Motown/Stax group, so I've almost always played P-Basses, usually with flatwounds. Lately, though, I've been using a Sadowsky PJ with rounds and a StingRay Special with flats (I know that might sound backwards) for gigs. They're light, and more comfortable on my shoulder. Plus they sound great!
I'm also involved in a startup rock band now, and the jury is still out on what I'll be using for that one. I'm thinking maybe a Special or a Rickenbacker just for variety's sake.
 
A question for you StingRay Special lovers. What else do you have other than another StingRay Special variant, that you love and enjoy. In which situations do you reach for the others over your Specials?
For the heavier material my Spector comes out. It just suits the material very well. Most other times it is usually one of my Precisions, occasionally the Jazz. If I need a 5 string, my Xotic comes out.

Most of the time I split my playing between my 4H and my 4HH.
 
A question for you StingRay Special lovers. What else do you have other than another StingRay Special variant, that you love and enjoy. In which situations do you reach for the others over your Specials?
Good question. The two other basses that I really enjoy are my Sire V7 and my Fender Mustang, both for very different reasons. The Sire really nails that growly Jazz Bass tone that I've always loved, and it's a super comfortable + familiar shape. I knew I wanted that one as soon as I played it at the shop, especially for the price they wanted!

The Mustang comes out when I want something that feels easy to play, or if I'm really just looking for a vintage style thump. The fundamental is super strong on that bass, and it sits really nicely in a lot of mixes. It took a few years, but I genuinely like it more than my old Precision now.
 
A question for you StingRay Special lovers. What else do you have other than another StingRay Special variant, that you love and enjoy. In which situations do you reach for the others over your Specials?
My favorite is my ESP/LTD Bunny Brunel Signature because of the beautiful mids and passive type qualities it gives me in active mode. Sort of like the best qualities of a Jazz and Stingray in one bass. Major growl as well.

Also my active MIM Fender Jazz and Precision Basses which is funny because I have never been a Fender fan, but these current ones are exactly what my ears want to hear. Even in active I feel like I am playing them in passive mode.

I also have a couple of Spectors (Dimension and Ethos) that I grab quite a bit including last night. I have a lot of Basses but the Stingray Specials, Bunny Brunel, Fenders and Spectors are the ones I grab the most.
 
I have my SS5H that I got from Geri O also, but that sees playing time only in my experimental jam trio. My main band plays bluesy Motown stuff and that sees either the p bass or the SS4HH.
Hey, Tony. That bass wasn’t gone for a week before I started missing it badly and plotting the purchase of another one. Glad to see you still have it.

It took a while and during the wait, I developed a craving for that SS tone all the time on everything! And it’s working out very well. So much so that I sold my previous #1 bass and as great as that one was, I’m just not missing it.

Yeah….I’m kinda curious about that ā€œgunstreet wiringā€ as well….šŸ¤”šŸ˜
 
?

Could you elaborate please?
I put this wiring harness in my p bass because the stock pots were scratchy.