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EBMM StingRay Special Club

All this talk about Specials being smoother, less aggressive in the upper mids/highs and more passive sounding is similar to what I've said about hearing in the demos - it reminds me of my Stingray where I've installed John East MM Preamp and Nordstrand MM4.2 pup (to get that 70s Stingray tone). So I guess these sound a bit more old school? Wouldn't surprise me as a lot of folks are looking for a bit more rounder, tamer tone nowadays, and EBMM guys did mention exactly that in this video:


That was the final straw for me; placed my order yesterday after finding one in the sweetest finishes I've ever seen... :D

Still need to make a followup phone call, but I expect it to be delivered early next week :bassist:
 
Placed an order here in Canada for a 4HH in Cruz Teal about a month ago - I thought my dream was a surf green stingray until I saw the special Teal. It'll be the first new instrument I've ever bought (I've been buying used for 10 years!) and I keep coming back to this thread to remind me what I'm in store for. It's gonna be quite awhile until mine is built, but it'll be worth it!
 
Just came back from a place that had a SR5 30th, SR5 Special, and a SR5 Classic. The Classic had a certain clarity of tone, higher highs and lower lows, and a sensitive EQ system, with the only thing I didn't like was treble fully boosted, but that may have just been the amp or me not wanting to blast it in front of other people. The 30th was pretty "warm" but also felt smoothed over, like a blanket, and slightly had the old "clacky" tone the old preamps had. The Special was very close to the classic, almost there, but the Classic has that certain tone while the Special has control over useful mids, plus the switchblade settings.

It's a hard choice between Special or Classic, and I'm leaning towards one or the other or a SRS5 and a Classic 4. I will say though, I was very impressed by the Special, well done EBMM! Certainly had the most comfortable neck out of the lot.
 
Just hanging out
 

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Did a rehearsal with the special 4 where I’d normally play a J bass and it sounded great. Still MMish but natural, punchy, full, with just the right amount of snap. I ended up leaving the EQ pretty flat, just a little bass boost. I tried the 30th 5 for a few songs last week and it sounded polite and electronic. The 30th isn’t bad but I’d never chose to play it on this gig.
 

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