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EBMM Stingray vs Sterling Ray vs Sterling Sub Ray impressions

Mar 10, 2009
252
235
Indiana
Hi Folks,

I’m a quite pathetic guitar player and wanting to get more into bass playing. Find myself a decent bass (probably 5 string), get a bass amp, and see if I can put some time into the low notes. While in a store some months ago, I pulled a Sterling Sub Ray4 off the shelf and was taken by the aggressive, powerful Music Man sound. I had never heard it before in person. Since then I have been reading things and listening to youtube clips. Trying to figure out what I might want to get. The Sterling Sub Ray series is nice because they are so cheap. The US made Stingrays are just plain nice, but a significant outlay, although not totally out of the question for me. The Sterling Ray series might be a nice middle ground and kind of where I was leaning toward going. Anyways, I just had a chance to play several basses in stores and thought that I’d pass along my impressions. In case they might be helpful or interesting to anyone else out there.

In all cases, I started out with all the bass and amp EQ knobs in the middle. I turned them around some, but my general impressions, below, held even with changes to the EQ. In store #1, I played the basses through a Hartke combo amp. (Sorry, I didn’t check which one, it had one speaker.)

-EBMM Stringray5, $1575:
A very nice, solid well put together bass. It feels nice all around. I liked the satin neck. I liked how light it was, compared to the Sterling Ray 35CA. I liked how it looked. Going on looks, feel, playability, and the general “Oooo, this is nice,” this bass was my favorite. In the sound department, it’s good. But not quite what I was expecting. It has some of that Stingray zing, but it was more polite than I thought would be the case. You won’t ever mistake it for a P or J passive bass (which I also played, for comparison). And I definitely liked the sound. But I was looking for some more zing.

-Sterling Ray35CA, $800:
Also a very well put together bass that is very nice all around. It also feels quite solid and seems to have no weak points of any sort. Maybe a little heavier than the US made counterpart, but not by a lot. The sound was, as far as I could tell, the same as the EBMM Stingray5. Nice. The main thing that I did not like about it was the gloss finish on the back of the neck. It’s just a personal preference thing. Some people may love it over a satin finish. It’s not a total deal breaker for me. Does anyone know if the Sterling Ray35 (not Ray35CA) has a gloss or satin neck? I can’t tell from their web site.

-Sterling Sub Ray5, $320:
It’s amazing how good the cheap gear is these days. At only $320, this one was set up quite well. Sure, all the hardware seems to be a notch lower than the Ray35CA and the Stringray5. But things felt solid enough that I doubt that there will be problems. (My only current bass, a Danelectro ’63, is flimsy and falling apart, by contrast.) The neck had a satin feel that I preferred to the Ray35CA gloss. Although the satin had a slightly odd feel to it, a little different than the Stingray5, but still OK and I preferred the feel of this neck to the Ray35CA gloss. The bass felt, perhaps, to be the lightest of the bunch. The body finish is kind of cheap and cheesy feeling. The satin body paint is fine, if you’re into that kind of thing. But I just happen to prefer the gloss of the Ray35CA and the Stingray5. It’s not that attractive of a bass, compared to the others, with the satin body and all. I like things to look fun, such that they make me want to pick them up and actually put time into playing. I know that there is a gloss black, but I’m not into the looks of it. OK, so how did it sound? Wonderful. Here was the zing, the growl, the mids, and the general aggression. Really, this one was my favorite sounding bass of the three. Definitely, by far. Not the result that I expected. But interesting.

On to store #2 where I played through an Ampeg combo amp. It was a 1x15. (BA115 maybe?)

-EBMM Stringray4, $1470:
Same impressions as the Stingray5 above. Although it was missing a string. ;) Surprisingly, this one was the least well set up of the day. But that’s an easy fix. All around a very nice feeling and a good sounding bass. No one would complain if it followed them home.

-Sterling Sub Ray4, $300:
Here, too, it was the same story as the Sub Ray5 above, minus one string. I really did like the sound of this one a lot. The satin neck feels OK. The rest of the bass feels kind of cheap, especially the body finish. But it does not feel so cheap that it should be a problem.

OK, there you go. In the feel and looks department, the EBMM Stringray5 was my favorite. For sound, the Sterling Sub Ray5. Interesting, eh? I’m not sure what I will get, given that most of this was a surprise to me. And I’m in no hurry. If the Ray35 has a satin neck, I could go that way. Or maybe just enjoy the fact that I like the sound of the cheapest one best. Play with that, be happy, and save some cash for another bass or amp down the road. Feel free to chime in with any of your own experience or thoughts.
 
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Seems like you had some interesting findings there. I found (on the ones I played) that the SUB Ray 4 & 5 were finished very badly with little attention to detail. I've always been a big Music Man fan, but always prefer the 2 band models. You will find that any price level of Ray with 2 band eq will sound ballsier and grittier than the three band models - The 2 band preamp is voiced differently than the 3, which is flatter in response and more polite sounding.

It's interesting that you didn't find the sparkle in the Stingray 5 sound - those ceramic pickups are usually very good in the 5 string model.
 
The sub is a nice bass for your first go round. Play it first and buy a good one as someone correctly mentioned fit and finish. They seem to be hit or miss. The Ray35 seems to be more consistent but if you are going to spend that money you might also want to consider G&L. The trib models are pretty great at that price point and does the ray35 one better
 
Seems like you had some interesting findings there. I found (on the ones I played) that the SUB Ray 4 & 5 were finished very badly with little attention to detail. I've always been a big Music Man fan, but always prefer the 2 band models. You will find that any price level of Ray with 2 band eq will sound ballsier and grittier than the three band models - The 2 band preamp is voiced differently than the 3, which is flatter in response and more polite sounding.

It's interesting that you didn't find the sparkle in the Stingray 5 sound - those ceramic pickups are usually very good in the 5 string model.

I have played around 5 of the Sub Rays and all were finished and set up quite well. You know, the quality of the materials and such were not nearly up to the standards of a US made EBMM. But there were no obvious flaws. And I'm looking at it for what it costs. At around $300, I would imagine that they are not all going to come out of the oven perfect.

Interesting comment about the 2 versus 3 band EQ's sounding a little different. The Stringray5 with 3 bands and the Ray35CA with 2 bands sounded pretty similar to me. The Stringray5 and the Ray35CA both did, indeed, have some of the sparkle and zing. But the Sub Ray5 had more. It could have been the amps that I was playing through. Or, very likely, it was the unskilled player. :)
 
The sub is a nice bass for your first go round. Play it first and buy a good one as someone correctly mentioned fit and finish. They seem to be hit or miss. The Ray35 seems to be more consistent but if you are going to spend that money you might also want to consider G&L. The trib models are pretty great at that price point and does the ray35 one better

Yeah, a Sub Ray5 (or Ray4) might be a good way for me to go at this stage. I'm still giving it some thought.

Actually, a G&L Tribute L2500 is the bass that I have had in mind for several months. I have not been able to play one yet. But I like the incredibly versatile sound options (active vs passive, 2 pickups, series vs parallel, etc.). It's still a contender. Although the zing of these Music Man-type basses is particularly appealing to me at the moment. With our yet being able to play an L2000 or L25000, I am guessing that they do not have that Music Man sound? Maybe a Sub Ray5 now and an L2500 later... or the other way around or... :)
 
I own a Stingray 5 and a Ray35 and gig with them every weekend. I can honestly I can definitely tell the higher quality of the EBMM over the SBMM. Just the little things you notice from endless hours of gigging them. I've played a Sub in a guitar shop and it is also a nice bass, but not near a Ray 35 and very far from a Stingray 5. I think they are all great for their price points. You get what you pay for.
 
Actually, a G&L Tribute L2500 is the bass that I have had in mind for several months. I have not been able to play one yet. But I like the incredibly versatile sound options (active vs passive, 2 pickups, series vs parallel, etc.). It's still a contender. Although the zing of these Music Man-type basses is particularly appealing to me at the moment. With our yet being able to play an L2000 or L25000, I am guessing that they do not have that Music Man sound? Maybe a Sub Ray5 now and an L2500 later... or the other way around or... :)
Yes, a G&L L2500 in the wild is a rare site. I happened on one at a Sam Ash used. I liked it so I ordered a new one when I was ready. I compared it against the Fender MIM Jazz V Deluxe, Ray 35, Warwick, LTD, on and on in that price range.
Where are you in Indiana? If you are near Louisville, there is a Mom and Pop there that is a G&L Dealer and has some models to try.
There are some youtube vids that demo it. The Trib version is very similar to the American version....same electronics. I played an American one recently. It was lighter and the fit and finish was slightly better. The sound was so similar to my ear that I couldn't tell them apart. The big attraction for an American is to A. Get a model they don't have in Tribute like the new MJ-5 and/or B. Get a custom model made just for you....color, type of neck, type of fingerboard etc.
 
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I own a Stingray 5 and a Ray35 and gig with them every weekend. I can honestly I can definitely tell the higher quality of the EBMM over the SBMM. Just the little things you notice from endless hours of gigging them. I've played a Sub in a guitar shop and it is also a nice bass, but not near a Ray 35 and very far from a Stingray 5. I think they are all great for their price points. You get what you pay for.

Sure. The EBMM was the nicer feeling instrument. I liked it a lot. And if it happened to find it's way to my house, I would not complain. Versus the Ray35CA, I would agree that it was a lot of little things. Plus the one big thing of the satin versus gloss neck. (Just my personal preference.) Then there was a bigger difference to the cheapest of the lot, the Sub Ray5. If I'm honest about my skills, even the Sub Ray5 is outclassing me. :) And I did like the sound best. If I were a working musician, I might go for the EBMM and make a few changes to get the zing that I liked. I don't know. I haven't bought anything yet. Still thinking about it.

And, the 3 band Ray35 has a gloss neck to answer the OP's question.

Thanks for that. Good to know. :)
 
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Yes, a G&L L2500 in the wild is a rare site. I happened on one at a Sam Ash used. I liked it so I ordered a new one when I was ready. I compared it against the Fender MIM Jazz V Deluxe, Ray 35, Warwick, LTD, on and on in that price range.
Where are you in Indiana? If you are near Louisville, there is a Mom and Pop there that is a G&L Dealer and has some models to try.
There are some youtube vids that demo it. The Trib version is very similar to the American version....same electronics. I played an American one recently. It was lighter and the fit and finish was slightly better. The sound was so similar to my ear that I couldn't tell them apart. The big attraction for an American is to A. Get a model they don't have in Tribute like the new MJ-5 and/or B. Get a custom model made just for you....color, type of neck, type of fingerboard etc.

I'm about 3 hours north of Louisville (fun city, BTW). I was last in Louisville maybe 4 years ago and I stopped my a mom and pop shop to look at some G&L guitars. I don't recall the name of the place but it was nice. And the G&L guitars sure were nice, too.

Yes, I have watched a lot of videos on the G&L's. For the Tribute L-2000, here is the most helpful one:


I'd very much like to try playing some G&L's. Especially a Tribute L-2500. Maybe even an US L-2500. Not sure when I'll get to do that but hopefully some day. One thought is that, even if I don't get my hands on a G&L soon, just get a Sub Ray5. It's so cheap, I mean, what the heck? I can always get more basses later. :) But life gets so busy (demanding job, family, etc.) that I don't know how much time I'll be putting into all of this. Still thinking... But I really do appreciate all the thoughts.
 
I ordered my G&L from MF so I didn't actually play "my bass" first. I had to wait a couple of months for it to arrive. Long story short is when it finally came, all I had to do was tune it. I took it to my tech buddy a couple of months later and he told me there wasn't much he needed to do to this one, as compared to a couple of other basses I had, for a proper set-up.
(I always have him set-up everything for me.) I had to leave it with him so he offered to let me borrow one of his basses, a Ray35, in the meantime. I had the Ray35 for about a week. It is a nice base and comfortable to play, but I was happy to get my G&L back... for the sound. The G&L is sooo much more "alive".

The G&L wasn't my first 5 string, however. I got a really good deal (or so I thought) on a Schecter that was an internet close-out. It sounded good, but I could never get the feel of it. The neck always hurt my hand and it was horribly imbalanced. I knew I wanted to play a 5, but not that one. So, if you are going less expensive, like the Sub, I would again recommend you play the one you will buy. I played a couple of those in GC and both were signficantly different in fit and finish. If it feels good and sounds good, it ~is~ good. One thing...the SUB is in no way what I would consider "polite"; it has a definite "roar" to it, which some people may really like.
 
I ordered my G&L from MF so I didn't actually play "my bass" first. I had to wait a couple of months for it to arrive. Long story short is when it finally came, all I had to do was tune it. I took it to my tech buddy a couple of months later and he told me there wasn't much he needed to do to this one, as compared to a couple of other basses I had, for a proper set-up.
(I always have him set-up everything for me.) I had to leave it with him so he offered to let me borrow one of his basses, a Ray35, in the meantime. I had the Ray35 for about a week. It is a nice base and comfortable to play, but I was happy to get my G&L back... for the sound. The G&L is sooo much more "alive".

The G&L wasn't my first 5 string, however. I got a really good deal (or so I thought) on a Schecter that was an internet close-out. It sounded good, but I could never get the feel of it. The neck always hurt my hand and it was horribly imbalanced. I knew I wanted to play a 5, but not that one. So, if you are going less expensive, like the Sub, I would again recommend you play the one you will buy. I played a couple of those in GC and both were signficantly different in fit and finish. If it feels good and sounds good, it ~is~ good. One thing...the SUB is in no way what I would consider "polite"; it has a definite "roar" to it, which some people may really like.

Interesting impression of your G&L. There are a couple of shops around here that sell G&Ls and I've noticed that they are consistently set up nicely. Even the Tribute guitars play quite nicely off the rack.

Couple of months? Was it a USA build to your specs?

The L series definitely has a lot going on for it in the tone department. They also have the satin neck that the OP prefers. Speaking of which, I've found the G&L 5-string neck to be one of the most comfortable ones I've ever played. The four-string #8 neck is an absolute delight for those that prefer a jazz width.
 
Couple of months? Was it a USA build to your specs?
My G&L is a Tribute. I ordered mine from MF, but there was some issue regarding the supply. I was concerned about the delay and contacted G&L. They were great about checking for me. They received it and sent it on to MF who sent it to me. There is no customization with the Tribs, but I got what I wanted which was a sunburst with matching headstock.
The USA models can be bought off the rack if a shop has one or can be custom ordered. My understanding is the price is the same. I have played with this tool many times in configuration experiments: The G&L Bass Generator
http://www.americanguitarboutique.net/Bass_index.html
The tool doesn't have the MJ-5 yet, which I think is going to be my next target unless they tempt me also with a 5 string SB2.
Mine has been very reliable and consistent since I received it about 18 months ago. I have played church, rock, and jazz with it and it can fit well into all styles.
The only other bass I have tried that has swayed me is the Lakland 55-02, but that is twice the price.
 
My G&L is a Tribute. I ordered mine from MF, but there was some issue regarding the supply. I was concerned about the delay and contacted G&L. They were great about checking for me. They received it and sent it on to MF who sent it to me. There is no customization with the Tribs, but I got what I wanted which was a sunburst with matching headstock.
The USA models can be bought off the rack if a shop has one or can be custom ordered. My understanding is the price is the same. I have played with this tool many times in configuration experiments: The G&L Bass Generator
http://www.americanguitarboutique.net/Bass_index.html
The tool doesn't have the MJ-5 yet, which I think is going to be my next target unless they tempt me also with a 5 string SB2.
Mine has been very reliable and consistent since I received it about 18 months ago. I have played church, rock, and jazz with it and it can fit well into all styles.
The only other bass I have tried that has swayed me is the Lakland 55-02, but that is twice the price.

I currently have a JB and an SB-2 and really dig both of them. G&L makes some excellent basses.
 
I ordered my G&L from MF so I didn't actually play "my bass" first. I had to wait a couple of months for it to arrive. Long story short is when it finally came, all I had to do was tune it. I took it to my tech buddy a couple of months later and he told me there wasn't much he needed to do to this one, as compared to a couple of other basses I had, for a proper set-up.
(I always have him set-up everything for me.) I had to leave it with him so he offered to let me borrow one of his basses, a Ray35, in the meantime. I had the Ray35 for about a week. It is a nice base and comfortable to play, but I was happy to get my G&L back... for the sound. The G&L is sooo much more "alive".

The G&L wasn't my first 5 string, however. I got a really good deal (or so I thought) on a Schecter that was an internet close-out. It sounded good, but I could never get the feel of it. The neck always hurt my hand and it was horribly imbalanced. I knew I wanted to play a 5, but not that one. So, if you are going less expensive, like the Sub, I would again recommend you play the one you will buy. I played a couple of those in GC and both were signficantly different in fit and finish. If it feels good and sounds good, it ~is~ good. One thing...the SUB is in no way what I would consider "polite"; it has a definite "roar" to it, which some people may really like.

Yes, I am liking that roar and impoliteness at the moment. :)

That G&L bass generator is cool. And potentially dangerous. :)

Thanks for the G&L impressions. A G&L Tribute L2500... I am certainly tempted. But I'll try to wait until I actually play one and see how it strikes me. My first time picking up a Sub Ray4 really impressed me, totally unexpected. That was nice. And it helps show how I should play things before buying something. I travel a fair amount for work so I may be able to get to a G&L store at some point.
 
I know you are now talking G&L, but... I don't think my Ray5 sounds much like a Musicman Stingray 5. Maybe that is why you liked it.

I definitely think the tone is very artificial if the EQ isn't flat. Even so, it is on my "good for any gig" list.
 
I know you are now talking G&L, but... I don't think my Ray5 sounds much like a Musicman Stingray 5. Maybe that is why you liked it.

I definitely think the tone is very artificial if the EQ isn't flat. Even so, it is on my "good for any gig" list.

You may be right. The Sub Rays sound a little different than the EBMM's. I was surprised to see that. But I do like the sound a lot. It's kind of like if you take the difference between a regular P or J bass and an EBMM Stingray. Then take that difference and add it on top of the EBMM Stingray, you get the Sub Rays. So I might say that the Sub Rays sound more like an EBMM Stingray than an EBMM Stingray does. :)

Here is a video that does very well and bringing across the Sub Ray honk, mids, highs, and zing. Just listen to the first minute:
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