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EHX DELUXE Bass Big Muff Pi 2

There's also this:

bm2wicker-0-1.jpg
 
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Hey everybody, can you all stop posting new distortions? I can't afford them all, and would appreciate it if you would stop taunting me with things that I need but can't have.

Anyway...

The first tone reminds me a lot of Cliff Burton, but with more high end and clarity.

The high and low pass filters do seem to provide a good amount of tonal variation, but I feel like there are better ways to get that. The gate seems like a complete waste of a knob.
 
" It might be an empty corporate "value add," but EHX does usually give off an overly corporate vibe." - sorry, but that strikes me as silly for a number of reasons.

I have the smaller one and diggit.

The DI, etc. is explained at the link - the XLR is effected and so can be sent to the PA. There's also a DI output that is un-effected that could do the same (mebbe using a outboard for balance) or be used to split the clean to another amp, as well as the standard, effected out. It's almost more kinda a guitar thing for when you wanna, say, do wet/dry or stereo*.

I use my smaller Pi2 on guitar.

Gotta add, I love the latching footswitches. I jammed on Sunday and had a EQD Tentacle on my board (guitar) and it was fun using it to emphasize single notes on lead and phrases on rhythm.

* You could take the regular out to your main or backline amp, with the XLR out for PA support, and run the clean out to a different effect (delay, mebbe) and send that to the PA or another amp or even set of amps (stereo).
 
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Gotta add, I love the latching footswitches. I jammed on Sunday and had a EQD Tentacle on my board (guitar) and it was fun using it to emphasize single notes on lead and phrases on rhythm.
I have a Blumes and their Flexi Loops switcher which has two loops that use those switches and they are incredibly performative. I have 1 loop with my analog synth effects (octaver ->Blumes (or some fuzz) ->Envelope Filter) and then the other loop going to any digital effects I'm using which right now is primarily an HX Stomp. Putting it in a loop allows me to leave it in non-bypassed mode (sounds best imo) and keep it completely out of my signal chain most of the time when not needed. It's great with those switches when I want to emphasize the last note on a big song with whatever I want, plus being able to pull crazy sounds out instantly with a push is incredibly fun though it can make the people I'm playing with jump a bit since I know how to make wild sounds coming from guitar originally. /evilgrin

Really digging performative pedal designs, Beetronics is hitting it outta the park with their design ethos.
 
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