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In a way, it does have a DI out. It can send out a balanced output which you could send to a mixing desk, PA, etc. The only caveat is that the balanced signal is not attenuated to mic level (~ -60 dBV). It remains at instrument level (~ -25 dBV). So if you are sending the output to a mic preamp with low headroom, it's possible you might clip that input gain stage. There is only so much we could cram into such a tiny box.In a perfect world it would have a DI out. I don't think you could fit much more into the pedal. Also if it had a DI it would probably be over $500.
I don’t know if you’re trolling or not, but that’s what the automated balanced output is - just plug in a TRS cable instead of your usual instrument cable. There’s also TRS to XLR cables…
Unless you’re looking for the ADDITIONAL balanced output and to that I’d say… I honestly don’t know if they could cram much more into this little box.
The output impedance of most contemporary guitar pedals is low. The Bass ParaEq output impedance is 100Ω, and (for example) the Radial JDI output impedance is 150Ω.The TRS out is balanced like a DI, but I think he’s after the common DI level and impedance output characteristics which this does not have. The level can be adjusted but the impedance cannot. I’ve never had an impedance issue, but I assume some have.
I think people took my message wrong.,, I understand what the pedal does and doesn't do. I understand what TRS TS cables etc. Just having an XLR out would've been ideal for me... I ordered my pedal before I posted, so I'm committed to it!The TRS out is balanced like a DI, but I think he’s after the common DI level and impedance output characteristics which this does not have. The level can be adjusted but the impedance cannot. I’ve never had an impedance issue, but I assume some have.
I find this approach interesting. No dirt at all? Just EQ, compression, and a clean DI? I’ve always been a compressor into sansamp bass driver/para driver kinda guy.The Empress ParaEQ Deluxe, Empress Bass Compressor and a REDDI gave me the best bass tone I've ever had. I can only imagine the same pedal tweaked for bass is even better.
Yeah, I have never really liked/used a dirty tone. While the REDDI is a pretty clean DI, it had such a great sound I didn't really miss any drive or dirt.I find this approach interesting. No dirt at all? Just EQ, compression, and a clean DI? I’ve always been a compressor into sansamp bass driver/para driver kinda guy.
The output impedance of most contemporary guitar pedals is low. The Bass ParaEq output impedance is 100Ω, and (for example) the Radial JDI output impedance is 150Ω.
I never use dirt except as an occasional effect for a particular sound on a particular song. 98 times out of 100 I turn it off as quickly as I turned it on. It can be useful and certainly has a place, but usually not with me. Different strokes!I find this approach interesting. No dirt at all? Just EQ, compression, and a clean DI? I’ve always been a compressor into sansamp bass driver/para driver kinda guy.
At that time I was using no effects at all. I went to a Stomp because the church I play at did, and it sounded OK, and I thought I wanted to lighten my rig a little, and I ended up with one as well. It sounds good. I did an A/B one night between sets with the Stomp and my analog rig and no one really commented at all. I thought why am I hauling that big, heavy REDDI around. Well, because that big, heavy REDDI sounded fantastic. I have a Khan and I use it after my Stomp sometimes, and it sounds good in my IEM's, but I don't know if there's a big difference in FOH.I never use dirt except as an occasional effect for a particular sound on a particular song. 98 times out of 100 I turn it off as quickly as I turned it on. It can be useful and certainly has a place, but usually not with me. Different strokes!
A dirty little truth that’s hard to reconcile sometimes.…it sounds good in my IEM's, but I don't know if there's a big difference in FOH.
The general rule is that the output impedance should be at least 10 times lower than the input impedance of what you're driving, so as long as what you're driving has a high input impedance, the difference between 100Ω and 600Ω will be negligible. Most non-mic preamps have anywhere between 10kΩ to 2MΩ input impedance. If you are running the output of the Bass ParaEq into a mic pre-amp (typically 1.5kΩ-3kΩ input impedance), you may run into some clipping issues, since they expect lower amplitude signals, though microphones also usually have around 150Ω output impedance, so it shouldn't cause an impedance issue. Of course, there are edge cases and exceptions to everything I just said, but suffice to say, you likely won't experience impedance issues!Interesting. I’m no expert in this area but I’ve recently poked around for information out of curiosity about what separates a DI from Balanced Out from Line Out, and a few other terms that often get used interchangeably online. I often see specs stating a “DI” is close to 600 Ohms, which is what other Radial DI boxes are listed as on their website. I’m not trying to be argumentative, I’m just out of my depth and stating what I’ve read and hoping to add a wrinkle or two to my brain.
I'm not opposed to effects (though I never use any at church, but that's another matter), and I have a bunch of stuff, including a Stomp. I just rarely use any kind of distortion as anything other than an effect. That said, sometimes it's the perfect thing when I'm tracking bass for someone. I fancy myself a "studio guy" and I'm always ready to do whatever makes the track pop.At that time I was using no effects at all. I went to a Stomp because the church I play at did, and it sounded OK, and I thought I wanted to lighten my rig a little, and I ended up with one as well. It sounds good. I did an A/B one night between sets with the Stomp and my analog rig and no one really commented at all. I thought why am I hauling that big, heavy REDDI around. Well, because that big, heavy REDDI sounded fantastic. I have a Khan and I use it after my Stomp sometimes, and it sounds good in my IEM's, but I don't know if there's a big difference in FOH.
I have been using the Pitch Shift for about 6 songs. I like not having to bring/change to an Eb bass. I just step on it and I'm good to go. Not sure if I want to give that up.
The general rule is that the output impedance should be at least 10 times lower than the input impedance of what you're driving, so as long as what you're driving has a high input impedance, the difference between 100Ω and 600Ω will be negligible. Most non-mic preamps have anywhere between 10kΩ to 2MΩ input impedance. If you are running the output of the Bass ParaEq into a mic pre-amp (typically 1.5kΩ-3kΩ input impedance), you may run into some clipping issues, since they expect lower amplitude signals, though microphones also usually have around 150Ω output impedance, so it shouldn't cause an impedance issue. Of course, there are edge cases and exceptions to everything I just said, but suffice to say, you likely won't experience impedance issues!