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Emulate an upright?

So this is the digitech element xp set to emulate an upright on an 86 fender JBS, solo bridge pickup with the TBX tone at the center dent.
The playing is terrible and full of mistakes but I have no shame anymore, this one is about the sound. You just have to imagine it in the hands of a skilled bassist lol

 
Can you elaborate for the bold faced questions? Thanks.

Here’s how I get an upright sound on my electric:
  • Play over the neck
  • Use fingers 1 and 2 simultaneously, and pluck on side of fingertips [You mean "pinch" the string?]
  • Add a little reverb and delay [How do these effects alter the EB tone?]
  • Add a very slow chorus with narrow depth to simulate the bloom.
 
No one will know the difference.

They’ll know the difference. But they won’t necessarily care about it anywhere near as much as some of us might

You can fake an upright-ish sound in a variety of ways. One of the easiest and most effective ways to get it is to just approach and play the bass line like a string bass player rather than a bass guitar player would.

The upright vibe is as much a matter of convention and style as it is the sound itself. Most times it’s better to hint at or imply an upright bass and let the listeners connect the dots rather than try to duplicate the actual sound. (Which you can’t anyway.)

If you want to have some fun, keep a stool nearby if you’re going to do the upright thing. When you go into upright mode just park the tail of your bass on the stool, hold it vertically and play it like you would an upright while copping as much of an upright style as you can manage. It almost always (except around serious jazzers) goes over well.

I used to do that occasionally when I finally stopped playing an upright. People would tell me it “sounded just like an upright bass.” Amazing what a close enough sound, the correct style, and a blatant visual cue can do to encourage someone’s imagination to fill in the missing pieces and turn a blind eye to what’s not quite right.

Ain’t gestalt psychology a grand thing? :D

‘Cuz here’s the thing…I played upright almost exclusively for the first five years I played bass and in varying amounts for several more years after that. So I’m intimately familiar with the timbre and presence you get with the real deal. And because of that, no emulation is ever likely to completely satisfy my ear.

However…and here’s the important part…the less exposed to and familiar people are with the sound of an actual upright bass (which is most people these days) the easier it is to convincingly emulate one for them.

So it might be best to take the advice of some of the earlier posts that suggested forgoing verisimilitude and concentrating primarily on the vibe and feel and shoot for something “close enough for everyday use” instead.

Because in this case it really is mostly in the hands.

And the minds of your listeners as well.

Luck! :thumbsup:
 
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So this is the digitech element xp set to emulate an upright on an 86 fender JBS, solo bridge pickup with the TBX tone at the center dent.
The playing is terrible and full of mistakes but I have no shame anymore, this one is about the sound. You just have to imagine it in the hands of a skilled bassist lol



They’ll know the difference. But they won’t necessarily care about it anywhere near as much as some of us might

You can fake an upright-ish sound in a variety of ways. One of the easiest and most effective ways to get it is to just approach and play the bass line like a string bass player rather than a bass guitar player would.

The upright vibe is as much a matter of convention and style as it is the sound itself. Most times it’s better to hint at or imply an upright bass and let the listeners connect the dots rather than try to duplicate the actual sound. (Which you can’t anyway.)

If you want to have some fun, keep a stool nearby if you’re going to do the upright thing. When you go into upright mode just park the tail of your bass on the stool, hold it vertically and play it like you would an upright while copping as much of an upright style as you can manage. It almost always (except around serious jazzers) goes over well.

I used to do that occasionally when I finally stopped playing an upright. People would tell me it “sounded just like an upright bass.” Amazing what a close enough sound, the correct style, and a blatant visual cue can do to encourage someone’s imagination to fill in the missing pieces and turn a blind eye to what’s not quite right.

Ain’t gestalt psychology a grand thing? :D

‘Cuz here’s the thing…I played upright almost exclusively for the first five years I played bass and in varying amounts for several more years after that. So I’m intimately familiar with the timbre and presence you get with the real deal. And because of that, no emulation is ever likely to completely satisfy my ear.

However…and here’s the important part…the less exposed to and familiar people are with the sound of an actual upright bass (which is most people these days) the easier it is to convincingly emulate one for them.

So it might be best to take the advice of some of the earlier posts that suggested forgoing verisimilitude and concentrating primarily on the vibe and feel and shoot for something “close enough for everyday use” instead.

Because in this case it really is mostly in the hands.

Luck! :thumbsup:

Good stuff!...its hard for me to do the simultaneous two finger stroke in this position but I find a very percussive right hand attack works for me
 
Good stuff!...its hard for me to do the simultaneous two finger stroke in this position but I find a very percussive right hand attack works for me

The simultaneous two finger stroke is too much force for my Taylor AB-1 acoustic bass guitar, which is strung with black nylon tapewounds. Using the fat side of the fingertip usually works fine. I can see how this technique might be useful with electric bass guitar.

I also like to keep the neck more vertically inclined to help with the single fat fingertip technique. (I hear chuckles from the other side ... "Well if he's playing it like an upright, why not just get an upright?" :)
 
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I've tried lots of stuff, but the only thing that has worked is thinking like an upright bass player, and playing like one would play. And when you do that, the bass is pretty much immaterial, although I'll admit that my Realistic violin bass captures the vibe better than the other ones. But there's no reason you can't do it on any bass. I've even done it on my active neck-thrus with brand new rounds and no mutes. You're never going to get an exact match from an electric bass. So you might as well just resign yourself to it.
 
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