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Enduring Multiple Gig Days

P. Aaron

Supporting Member
Sep 16, 2002
14,296
9,840
Livin’ on a slab in Plano, TX
It used to be all-ego. Knockin' out multiple dates on the same day across several stages. As I've aged (64-YEEEOW!) it's all about endurance. Texas heat, driving distance, questionable dietary choices, overall aches, pains, recent knee surgery, legacy back pain, and dealing with fatigue & pacing, as well as delivering solid performances in multiple venues with different tone challenges is still fun and enjoyable.

It's the small stage standing that's the worst physically. If, there's room to move, it helps because you can fight the stiffness. If you're wary of swinging your headstock & hitting a wall or giving the drummer an ill-timed crash, that's always a challenge. Every load-in & out requires working with numerous personnel, some unrelated to the show and your act.

After a number of years in the band, I can tell who practices, (a few have traveling jobs so, there's some grace granted) and who doesn't. At my age, I have to practice ALL the time or, the rust sets in quickly.

Being patient and observant during set-ups & tear down, getting to know the stage-ground management crew matters. One doesn't have to learn their kid's names but just a general friendly conversation and learning what the limits/expectations between civic events and club owners always matters. Learning personality types helps you pick up vibes and head-off potential misunderstandings over silly-nonsensical stuff. Civic gigs tend to pay much more for less work but, those managing those events aren't always dialed in so, patience is the key. Again, pacing oneself also paces one's temperament.

Club owners are mostly watching the clock & the cash register. If you wanna play there again & again, understanding what their role is goes a long way towards both of your's success.

Saturday was 50 miles away and in 90 degree Texas. Some shade, low humidity and 50 minute sets made it bearable. I ate lightly and just dealt with the human and physical logistics. Saturday night was at a regular pub (back down the hwy) where we bang it out monthly. Waitress forgot my second beer so, I simply dealt with ice water for the 2nd & 3rd set. It was a full house so, let it slide. Keep the club in business and on slower nights, there's almost too much being offered to you. It seems to balance out.

Sales training for setting expectations, learning personality types, and delivering product along several production lines would'a been something helpful to me in my earlier playing years.

Just tossing this stuff out there.
 
67 here, still pulling a few double headers, 1-2 hours away from my Fort Worth home & an hour apart.

I try to sit on stages so small that I can't keep moving when standing.

Lots of fluids - I don't drink alcohol.

Wet neck wrap and a fan when playing in the heat, small portable propane camping heater for the cold. My main band's BL refuses to book no-shade stages in the summer; I won't sub or sideman on one.

I try to arrive early enough to decompress at least a half hour after drive, loadin & setup before downbeat.

Re practice, Monday is my night to woodshed our Tues night "featured artist" set; Thurs is brush-up night for main band's Fri & Sat gigs. I take Sunday and Wednesday off from practice, attend local pro jams & pickup gigs.
 
Outside gigs in the heat season are the worst and proper prep is mandatory at 66. I have a series of monthly ones coming up, luckily they are Sunday Brunch 11-2:30 at Mozart's Coffee on scenic Lake Austin. The stage is under some beautiful oak trees with plenty of shade. I will be using a Frog Togs Chilly Pad wet towel and a small fan to help cooling. As always I will be toting out my fancy folding chair, making a list and checking it twice.
 
I get there 90mins before the start.
Van arrives no later than 1 hr before.
We have the set up and break down pretty slick.
My personal parameters are
2x1 hrs max and min fee.
If the gig has great fun/kudos written over it, I'm not fussed on time and money but no forever 'one last song' to a bunch of drunks who won't go home. They'll play on that and at the end of the day, we are working and have built th set to end on the high.
Max 2 encores.

Venue has to take the event seriously.
No TV screens running with games or bets in the background.

No dives, must be friendly enough for women to be comfortable to turn up in small female groups.

Gone are the days when I'm happy to do any and every gig.
 
It used to be all-ego. Knockin' out multiple dates on the same day across several stages. As I've aged (64-YEEEOW!) it's all about endurance. Texas heat, driving distance, questionable dietary choices, overall aches, pains, recent knee surgery, legacy back pain, and dealing with fatigue & pacing, as well as delivering solid performances in multiple venues with different tone challenges is still fun and enjoyable.

It's the small stage standing that's the worst physically. If, there's room to move, it helps because you can fight the stiffness. If you're wary of swinging your headstock & hitting a wall or giving the drummer an ill-timed crash, that's always a challenge. Every load-in & out requires working with numerous personnel, some unrelated to the show and your act.

After a number of years in the band, I can tell who practices, (a few have traveling jobs so, there's some grace granted) and who doesn't. At my age, I have to practice ALL the time or, the rust sets in quickly.

Being patient and observant during set-ups & tear down, getting to know the stage-ground management crew matters. One doesn't have to learn their kid's names but just a general friendly conversation and learning what the limits/expectations between civic events and club owners always matters. Learning personality types helps you pick up vibes and head-off potential misunderstandings over silly-nonsensical stuff. Civic gigs tend to pay much more for less work but, those managing those events aren't always dialed in so, patience is the key. Again, pacing oneself also paces one's temperament.

Club owners are mostly watching the clock & the cash register. If you wanna play there again & again, understanding what their role is goes a long way towards both of your's success.

Saturday was 50 miles away and in 90 degree Texas. Some shade, low humidity and 50 minute sets made it bearable. I ate lightly and just dealt with the human and physical logistics. Saturday night was at a regular pub (back down the hwy) where we bang it out monthly. Waitress forgot my second beer so, I simply dealt with ice water for the 2nd & 3rd set. It was a full house so, let it slide. Keep the club in business and on slower nights, there's almost too much being offered to you. It seems to balance out.

Sales training for setting expectations, learning personality types, and delivering product along several production lines would'a been something helpful to me in my earlier playing years.

Just tossing this stuff out there.
Yeah, that can be a handful. I'm 82 and still gigging. Haven't had a double in a long time.
My most memorable was when I lived in Helena, Montana. They have an annual blues festival there and every venue in town participates. I was working with a traditional Chicago style blues band. We dressed like Chicago gansters. We had a luch time gig at once club, then a dinner time gig at another, then a night gig at a third venue.
 
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Yeah, that can be a handful. I'm 82 and still gigging. Haven't had a double in a long time.
My most memorable was when I lived in Helena, Montana. They have an annual blues festival there and every venue in town participates. I was working with a traditional Chicago style blues band. We dressed like Chicago gansters. We had a luch time gig at once club, then a dinner time gig at another, then a night gig at a third venue.
We're usually 3-4 shows on St. Patrick's Day because we're a drinking band with an Irish Music problem. This year, I was on the couch 'cause I got run over by a car and had a sub endure it. It's a l - o - n - g day but as a band, and individually, we make lotsa dough 'cause every pub wants us on that day.
 
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I play church gigs, and there was an era where, once a month. I had a Saturday evening gig, I'd get up at 5 AM on Sunday morning, play two services, I'd drive home (not a long drive), drop off my gear, and load up a different set of gear, and go and play a Sunday evening service - getting home 9:30ish - after a 5 AM wakeup, that was exhausting. But, I wouldn't fall apart until after the last gig - adrenaline was enough to get me through that - that is important.

The thing about back to back gigs is you have to know your limits - if you are too wiped out to play well at the second (or third gig of the day), you are building up a bad reputation - often you are better off not doing it, if you can't be in your top form. Your reputation is everything, and if folks think you're "phoning it in", your gigs can dry up really quickly - it's best to stay as far away from that as you can.
 
Just turned 66. Age is creeping into my fingers, but I gig almost every weekend, often multiple times, so my stamina is pretty good. Next week I was actually scheduled for four gigs in three days with four different bands: Thursday night, Friday night, Saturday noon, and Saturday night. The Friday gig was cancelled (the dreaded "double booking")... and TBH I wasn't heartbroken as I would have been decades ago. I welcome the day of rest before my Saturday double.

I do realize that I'm no longer 20 something. If I have 2 or 3 gigs over the weekend then I try to play gently and let my amp do the heavy lifting. I've also been working on pickstyle technique -- I can't play every song with a pick, but if my right hand fingertips start getting tender then I'll use a pick as much as I can.



Last but not least: I'm NOT being judgmental here, but I've stopped drinking alcohol at gigs... that is, it's rare that I have even one. I'm six feet tall but a beanpole, so just one or two beers can affect me: not drunk, I just mean that I feel a little "off", and sometimes feel more weary the next morning even though I'm not hungover in the classic sense. Some of that is probably because I've lost my tolerance to alcohol... but regardless, a nice side benefit is that I net more money from gigs: free beer for the band is rare these days.
 
The last time I did doubles was a few years back with a Bluegrass band. Both times they were outdoor gigs in the blazing heat. Lucky for us, we didn't have to provide the PA; each venue took care of that. So, load in/load out was just our instruments. In both cases the venues were about 50 miles apart, which actually gave us a chance to re-hydrate in our air conditioned vehicles on the way to the second gig.

My current band has agreed that we won't take outdoor gigs in the summer unless there's plenty of shade available. We played one date last Summer that we were assured would be in the shade; well of course it was at 9AM, but when we went on at 4PM it was bright sun. We're all older so we just do one set these days, usually 17 or 18 songs, and then it's load out time and off to get some food. I'm pretty sure that in our current situation we won't book multiple gigs on the same day.

Thump on,

One_Dude
 
It's not the playing itself that wears me out - Calluses on both hands are pretty thick from playing 5 nights a week - gigs on 3 and woodshedding songs on 2.

It's not even the hauling gear and wearing an 8lb bass on a separated shoulder - as long as I keep up a few simple PT exercises.

I'll be 68 at the end of July; It's the above activities mixed in with sitting still in traffic for hours, multiple times for double headers, punctuated by hauling everything in back home at the end of another long drive. The net result is the kind of soreness and stiffness I previously thought was only the result of getting repeatedly slammed playing no-pads touch football across the line from a former offensive lineman for the Cowboys and Seahawks - Don't ask me how I know.

Makes me appreciate a local Sunday afternoon semi-pro open jam that's within 15 minutes of home and has a nice provided backline. A no-pain chance to go out and play every couple weeks.
 
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