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Old post but interesting to see reference to Jack Fallon. I remember my sister worked in London in 1981 and Jack was her booking agent! He had been bassist formGeorge Shearing back in the day and is on some of the recordings playing the EpiYes I realized I was getting increased hits to my Epiphone website from the UK, looked it up and found this bass on EBay in the UK. The owner of this bass did not contact me for any of the information he posted in the listing. He gathered his information from the Epiphone website, which is just fine by me. That is why I made my research free to all who are interested.
I was able to catalog the bass from the pictures in the EBay listing. My only observation is the W/B/W purfling on this bass (Gibson/Epi had W/B/W, Epi have B/W/B purfling) is really white and stands out too much. If the bass is a B4S it was originally a shaded factory finish, so my gut tells me this bass may have been stripped of its shaded factory finish and is now blonde.
All Epiphones are great basses, the late model Gibson/Epiphone are slightly different then their early predecessors. I find the really early basses to be the most powerful and resonate again I am bias. Hope this bass find a great new home.
There is only one other bass cataloged from the UK. That would be a B-1 # 621, per the owner it was owned by Canadian bass player Jack Fallon who brought it over to England where he lived and worked in London from 1946 to 2006. I acquired it from him in spring of 2004. Jack sadly passed away in May 2006. He wrote a short autobiography called "From the top". I believe it contains photographs of this instrument.
Enjoy!
Sorry this is a late my time back but does anyone still have an epi badge like this for sale? I have B5 #962 but missing the badgeJohn (360guy) sent me a few prototypes of his cast Epiphone tailpiece badges a while back to checkout. 'Gotta say that they are a unique solution and anyone that did not know it would never know it was not the real deal. If I was missing one, I'd jump at a chance to get one of his reproductions. I have a customer that has been trying to find an original for 7 years (!!!!!) with no luck.
Here is a sneak at the end result of the scroll graft I mentioned a few months ago. Everything came out great, but the nerdy little detail that I liked the most was remembering to match the stamped serial numbers on the pegbox cheek shelf. That funky looking nut is the original- it had such a unique look and tooling that we decided to keep it.This was a cool bass when I first saw it....imagine taking that as the core and then having a full new neck custom built to your specs and hand size out of curly European maple; perhaps the ultimate vintage Epiphone nerd's bass. Trying to match a vintage sunburst that had different color fades every time you rotated the bass 90 degrees was no simple task either! This one (along with a BUNCH of other vintage custom rebuilds I have done) will be on stage at the IBMA Awards festival in Raleigh, NC all week. Don't hesitate to ask and give it a good thump!
j.
condino.com
kaybassrepair.com
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I have a fresh agoraphobia diagnosis standing between me and travel, which I did too much of in my band days, but I’m with you on downsizing. Why did I buy all this stuff?
I feel like I made a very small contribution that has rewarded me many times over.
Our current estimates put production of your B4 in mid-'57. Can you share some photos?I've got an Epiphone B4 serial #3076. Original nickel tuners, endpin, badge, tailpiece and Brazilian rosewood fingerboard in two tone sunburst Serial #3076. Does anyone know the year? I know it doesn't really matter, just curious. Thanks!
Walter Carter's research, using Gibson records, indicates that Gibson production spanned '58-62, making 662 instruments.Steven, isn't 57 the year Gibson bought Epiphone? If so, how does that affect the manufacture of an Epi DB?